“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation

Geneva Napoleon Smitherman

267 citations0/0 files storedJournal of Black Studies

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Race, History, and American Society Rhetoric and Communication Studies

Abstract

It is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 267 citations exist upstream.

References

1995Black Noise: Rap Music and Black Culture in Contemporary America.1995Black Noise: Rap Music and Black Culture in Contemporary America 1993Rockin' the boat: mass music and mass movements 1976Cut-Eye and Suck-Teeth: African Words and Gestures in New World Guise

Cited by

2012English with an Accent 2003Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts 2009Misogyny in Rap Music 2009“They taught me”: The benefits of early community-based field experiences in teacher education 2009Framing and Reviewing Hip-Hop Educational Research 2003"Keepin' It Real": White Hip‐Hoppers' Discourses of Language, Race, and Authenticity 2002STREET-CONSCIOUS COPULA VARIATION IN THE HIP HOP NATION 2006Social Context and Musical Content of Rap Music, 1979-1995

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.