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Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock
16 references·4 citing·42 second hop
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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2006Legitimacy as a Social Process1,023 cited
  • 1982Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America784 cited
  • 2013Introduction—Topic models: What they are and why they matter478 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1987The Fabrication of Meaning: Literary Interpretation in the United States, Great Britain, and the West Indies379 cited
  • 1994"All Hits Are Flukes": Institutionalized Decision Making and the Rhetoric of Network Prime-Time Program Development330 cited
  • 2001Intellectualization and Art World Development: Film in the United States265 cited
  • 1993Constructing Racial Rhetoric: Media Depictions of Harm in Heavy Metal and Rap Music254 cited
  • 2010What Is Sociological about Music?214 cited
  • 2002The Rise of a Jazz Art World206 cited
  • 2008Cultural Globalization and Arts Journalism: The International Orientation of Arts and Culture Coverage in Dutch, French, German, and U.S. Newspapers, 1955 to 2005205 cited
  • 2004Critical Discourse and the Cultural Consecration of American Films204 cited
  • 2011The Opera Fanatic154 cited
  • 2004

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Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990
150 cited
  • 2009“Heritage rock”: Rock music, representation and heritage discourse134 cited
  • Cited by

    • 2020Walk the (Gendered and Racialized) Line: Retrospective Consecration and the Rock and Roll Hall of Fame6 cited
    • 2016Sonic Artefacts: "Record Collecting" in the Digital Age6 cited
    • 2019Supermodel of the World: The Influence of Legitimacy on Genre and Creativity in Drag Music Videos5 cited
    • 2024(Going) for the One: Progressive Rock Fandom as Mea Cultura3 cited