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How to Read Superhero Comics and Why
0 references·16 citing·42 second hop
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  • 2004What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11334 cited
  • 2010The Comics of Chris Ware54 cited
  • 2016Pow, Punch, Pika, and Chu: The Structure of Sound Effects in Genres of American Comics and Japanese Manga29 cited
  • 2006Comic Art, Children's Literature, and the New Comic Studies26 cited
  • 2013The multimodal construction of acceptability: Marvel's Civil War comic books and the PATRIOT Act23 cited
  • 2022The rewriting ethos of the Vertigo imprint: critical perspectives on memory-making and canon formation in the American comics field23 cited
  • 2014Batman’s Joker, a neo-modern clown of violence23 cited
  • 2017The “Origin Story” is the Only Story: Seriality and Temporality in Superhero Fiction from Comics to Post-Television15 cited
  • 2017Using Superheroes to Visually and Critically Analyze Comics, Stereotypes, and Society13 cited
  • 2011Surveying the World of Contemporary Comics Scholarship: A Conversation11 cited
  • 2012Captain America in the news: changing mediascapes and the appropriation of a superhero10 cited
  • 2018Sons and Grandsons of Origins: Narrative Memory in Marvel Superhero Comics10 cited
  • 2008The amazing spider-man and the evolution of the comics code: Case study in cultural criminology9 cited

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  • 2012The Ku Klux Klan and the birth of the superhero7 cited
  • 2009The Frenzy of the Visible in Comic Book Worlds7 cited
  • 2017Masked Thinkers? Politics and Ideology in the Contemporary Superhero Film5 cited