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Dickens's villains: melodrama, character, popular culture
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  • 2015Mind-modelling with corpus stylistics inDavid Copperfield94 cited
  • 2014Melodramatic imperial writing: from the Sepoy Rebellion to Cecil Rhodes32 cited
  • 2011“Can a Fellow Be a Villain All His Life?”:Oliver!, Fagin, and Performing Jewishness25 cited
  • 2006“THE LAW'S A BACHELOR”:OLIVER TWIST, BASTARDY, AND THE NEW POOR LAW24 cited
  • 2021Colonial Law in India and the Victorian Imagination23 cited
  • 2011The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–187020 cited
  • 2016Occupying Literary and Urban Space: Adiga, Authenticity and the Politics of Socio-economic Critique15 cited
  • 2003REALISM AND TYPOLOGY IN CHARLOTTE M. YONGE'S THE HEIR OF REDCLYFFE15 cited
  • 2010The Cambridge Introduction to Charles Dickens14 cited
  • 2011Dickens's hyperrealism12 cited
  • 2020The Value of Doubt: Humanities-Based Literacy in Management Education8 cited
  • 2023We Are All Monsters4 cited

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