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Music without Borders in the New Germany: Giora Feidman and the Klezmer-influenced New Old Europe Sound
16 references·9 citing·28 second hop
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References

  • 2000A Sweet Lullaby for World Music407 cited
  • 2003Music and German National Identity196 cited
  • 2004Popular Music and National Culture in Israel191 cited
  • 2002Virtually Jewish: reinventing Jewish culture in Europe168 cited
  • 2002Virtually Jewish166 cited
  • 2002Ethnic Drag106 cited
  • 2003Ethnic drag: performing race, nation, sexuality in West Germany89 cited
  • 2013Klezmer’s Afterlife41 cited
  • 2015Gypsy/Klezmer Dialectics: Jewish and Romani Traces and Erasures in Contemporary European World Music38 cited
  • 2005What must be forgotten: the survival of Yiddish in Zionist Palestine37 cited
  • 2015Introduction: The New Old Europe Sound27 cited
  • 2009Jewish Music, German Musicians: Cultural Appropriation and the Representation of a Minority in the German Klezmer Scene27 cited
  • 2014"Just Exotic Enough:" Swedish Chamber Klezmer as Postnational World Music and Mid-East Proxy26 cited
  • 1984Old Jewish Folk Music: The Collections and Writings of Moshe Beregovski24 cited
  • 2014“With an Open Mind and with Respect”22 cited
  • 2003"Klaus mit der Fiedel, Heike mit dem Bass ...". Jiddische Musik in Deutschland

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17 cited

Cited by

  • 2015The Cambridge Companion to Jewish Music35 cited
  • 2015Klezmer music – a historical overview to the present18 cited
  • 2020“It’s Not a Specific Klezmer Thing, It’s a Specific Me Thing”: Klezmer Accordion in Berlin18 cited
  • 2015Jewish music and media of sound reproduction4 cited
  • 2015Jewish liturgical music3 cited
  • 2015The traditional performance of Sephardic songs, then and now2 cited
  • 2021Sounding Jewish in Berlin2 cited
  • 2015Art music in the Yishuv and in Israel2 cited
  • 2015Jewish music and diaspora2 cited