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Most German of the Arts: Musicology and Society from the Weimar Republic to the End of Hitler's Reich
0 references·16 citing·39 second hop
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  • 2012Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-194594 cited
  • 2019The Cambridge History of Music Criticism85 cited
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  • 2007Dismantling a Dystopia: On the Historiography of Music in the Third Reich26 cited
  • 2013THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING25 cited
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  • 2012The dramaturgy of opera5 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited
  • 2012

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The operatic work: texts, performances, receptions and repertories
4 cited