The modern invention of medieval music: scholarship, ideology, performance

Daniel Leech‐Wilkinson

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Musicology and Musical Analysis Medieval Literature and History Diverse Musicological Studies

Abstract

Acknowledgements Introduction 1. The invention of the voices-and-instruments hypothesis 2. The re-invention of the a cappella hypothesis 3. Hearing medieval harmonies 4. Evidence, interpretation, power and persuasion Conclusion Notes Bibliography Index.

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2004The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius 2013Britten's unquiet pasts: sound and memory in postwar reconstruction 2016The Cambridge Companion to Medievalism 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet 2012Vocal performance in the seventeenth century 2023Fauvel and Marigny: Which Came First?2012The Cambridge History of Musical Performance 2023The Fourteenth-Century Italian Motet

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