SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The modern invention of medieval music: scholarship, ideology, performance
0 references·16 citing·32 second hop
The modern invention of medieval music: scholarship, ideology, performance (2003)The modern invention of medieval music: s…The Motet in the Late Middle Ages (2023)The Motet in the Late Middle …The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Motet Collection of San L…The Fourteenth-Century Italian Motet (2023)The Fourteenth-Century Italia…Fauvel and Marigny: Which Came First? (2023)Fauvel and Marigny: Which Cam…Renaissance Polyphony (2020)Renaissance PolyphonyThe Cambridge Companion to Medievalism (2016)The Cambridge Companion to Me…The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)The Monstrous New Art: Divide…THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING (2013)THE MODERN INVENTION OF THE ‘…Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)Britten's unquiet pasts: soun…An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change (2013)An Introduction to Music Revi…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…The Cambridge History of Musical Performance (2012)The Cambridge History of Musi…A History of Singing (2012)A History of SingingInterpreting the Musical Past (2008)Interpreting the Musical PastLocating the Past in the Present: Living Traditions and the Performance of Early Music (2006)Locating the Past in the Pres…The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius (2004)The Apotheosis of Josquin des…Keywords: A Vocabulary of Culture and Society (1977)The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author' (1984)Contingencies of Value: Alternative Perspectives for Critical Theory (1989)Who Was “Prioris”? A Royal Composer Recovered (2012)Rhymin' and stealin': musical borrowing in hip-hop (2014)Musical Authorship from Schütz to Bach (2019)The Anarchical Society (1977)We Have Never Been Modern (1994)Time and the other: how anthropology makes its object (2015)Making the Medieval Relevant (2019)The Origins of Protestant Aesthetics in Early Modern Europe (2019)Global Medievalism (2022)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)The Brut, or, The chronicles of England (1960)Medieval Music and the Art of Memory (2005)Renaissance Quarterly (2016)Citizenship and Social Class (1951)The Invention of Tradition (1986)The Past is a Foreign Country (1986)Making an English Voice: Performing National Identity during the English Musical Renaissance (2016)Opera After the Zero Hour (2019)The Tenderness of Silent Minds (2024)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)The Book of Memory: A Study of Memory in Medieval Culture (1991)PHILIPPE DE VITRY, BISHOP OF MEAUX (2019)Music in the Early Colonial World (2019)Intelligibility Redux (2017)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2004The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius110 cited
  • 2013Britten's unquiet pasts: sound and memory in postwar reconstruction76 cited
  • 2016The Cambridge Companion to Medievalism63 cited
  • 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet57 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2023Fauvel and Marigny: Which Came First?48 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2023The Fourteenth-Century Italian Motet45 cited
  • 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
  • 2023The Motet in the Late Middle Ages39 cited
  • 2013An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change33 cited
  • 2012A History of Singing33 cited
  • 2008Interpreting the Musical Past29 cited
  • 2013THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING25 cited
  • 2006Locating the Past in the Present: Living Traditions and the Performance of Early Music

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

25 cited
  • 2020Renaissance Polyphony23 cited