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A Foreign Sound to Your Ear
16 references·2 citing·31 second hop
A Foreign Sound to Your Ear (2013)A Foreign Sound to Your EarSong Means: Analysing and Interpreting Recorded Popular Song (2016)Song Means: Analysing and Int…M eyer's Anvil: Revisiting the Schema Concept (2012)M eyer's Anvil: Revisiting th…Music as social life: the politics of participation (2009)Music as social life: the pol…The melodic-harmonic ‘divorce’ in rock (2007)The melodic-harmonic ‘divorce…Music in the Galant Style (2007)Music in the Galant StyleChronicles: Volume One (2005)Chronicles: Volume OneThe poetics of rock: cutting tracks, making records (2002)The poetics of rock: cutting …Tramps like Us: Music and Meaning among Springsteen Fans (2001)Tramps like Us: Music and Mea…The Poetics of RockCutting Tracks, Making Records (2001)The Poetics of RockCutting Tr…Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Signs of Imagination, Identit…Tramps Like Us (1998)Tramps Like UsLove and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…Style and music: theory, history, and ideology (1990)Style and music: theory, hist…The Imperfect Art: Reflections on Jazz and Modern Culture (1988)The Imperfect Art: Reflection…The Descending Tetrachord: An Emblem of Lament (1979)The Descending Tetrachord: An…Languages of Art (1976)Languages of ArtText and Temporality (2016)Text and TemporalityUnwriting Medieval Song (2015)Unwriting Medieval SongSteps to an Ecology of Mind (1973)Record and Hold: Popular Music between Personal and Collective Memory (2006)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Course in General Linguistics (2017)Handbook of Musical Identities (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)The Imaginary Museum of Musical Works (1994)Action, Criticism and Theory for Music Education (2004)Schema Theory as a Construction Grammar (2015)The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)Life and Mind (2009)“Do You Know . . . ?”: The Jazz Repertoire in Action (2010)Celebrity Politicians: Popular Culture and Political Representation (2004)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Shrines and Pilgrimage in the Modern World : New Itineraries into the Sacred (2008)Wired for sound: engineering and technologies in sonic cultures (2005)“Heritage rock”: Rock music, representation and heritage discourse (2009)Soundscapes: Toward a Sounded Anthropology (2010)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)African American English: A Linguistic Introduction (2004)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Signs of Difference (2019)Learning with Media (1991)Will media influence learning? Reframing the debate (1994)Beyond Compare: Metaphor In Organization Theory (2005)Making Monsters: Lady Gaga, Fan Identification, and Social Media (2013)An emergent algorithmic culture: The data-ization of online fandom in China (2020)What Is Sociological about Music? (2010)Musical Communities: Rethinking the Collective in Music (2011)Playing to the Crowd (2019)
this work references cited by second hop

References

  • 1976Languages of Art1,596 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 2007Music in the Galant Style432 cited
  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 2001Tramps like Us: Music and Meaning among Springsteen Fans189 cited
  • 1988The Imperfect Art: Reflections on Jazz and Modern Culture182 cited
  • 1998Tramps Like Us179 cited
  • 2016Song Means: Analysing and Interpreting Recorded Popular Song159 cited
  • 2001The Poetics of RockCutting Tracks, Making Records146 cited
  • 1979The Descending Tetrachord: An Emblem of Lament134 cited
  • 2007The melodic-harmonic ‘divorce’ in rock114 cited
  • 2005Chronicles: Volume One99 cited
  • 2012M eyer's Anvil: Revisiting the Schema Concept83 cited

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Cited by

  • 2015Unwriting Medieval Song40 cited
  • 2016Text and Temporality4 cited