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Fashion-able. Hacktivism and engaged fashion design
2 references·16 citing·47 second hop
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(1977)Review : Knowledge Management and Knowledge Management Systems: Conceptual Foundations And Research Issues1,2 (2001)Firm resources and sustained competitive advantage (2004)Second Thoughts: Toward a Critique of the Digital Divide (2003)Theories of the Information Society (2014)Introduction: Turbulent Circulation: Building a Critical Engagement with Logistics (2018)
this work references cited by second hop

References

  • 1959Personal Knowledge: Towards a Post-Critical Philosophy7,900 cited
  • 1991War in the Age of Intelligent Machines604 cited

Cited by

  • 2017Social manufacturing in the fashion sector: New value creation through alternative design strategies?111 cited
  • 2018Assessing the impact of design strategies on clothing lifetimes, usage and volumes: The case of product personalisation54 cited
  • 2017Urban prototypes: Growing local circular cloth economies54 cited
  • 2017Determining Effective Sustainable Fashion Communication Strategies50 cited
  • 2013Fashion Activism Evaluation and Application of Fashion Activism Strategies to Ease Transition Towards Sustainable Consumption Behaviour21 cited
  • 2018Inclusive Fashion—an Oxymoron—or a Possibility for Sustainable Fashion?19 cited
  • 2022“What is to be sustained?”: Perpetuating systemic injustices through sustainable fashion18 cited
  • 2022Fashioning Change: Fashion Activism and Its Outcomes on Local Communities15 cited
  • 2015Reusing Textiles: on Material and Cultural Wear and Tear12 cited
  • 2019A Crisis of Power in Fashion: Is There Agency for Change?11 cited
  • 2023How digital-only fashion brands are creating more participatory models of fashion co-design10 cited
  • 2022Transition Design and Fashion

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10 cited
  • 2014While Waiting for the Third Industrial Revolution: Attempts at Commoning Production9 cited
  • 2016How can a box become a garment9 cited
  • 2014Supporting the open innovation process in small and medium enterprises9 cited
  • 2022Body Styles: Redirecting Ethics and the Question of Embodied Empathy in Fashion Design5 cited