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Artists and the Market: From Leonardo and Titian to Andy Warhol and Damien Hirst
13 references·0 citing·25 second hop
Artists and the Market: From Leonardo and Titian to Andy Warhol and Damien Hirst (2007)Artists and the Market: From Leonardo and…Theories and Documents of Contemporary Art (2012)Theories and Documents of Con…The field of Cultural Production (2002)The field of Cultural Product…On the Way to Work (2002)On the Way to WorkInterviews with American Artists (2001)Interviews with American Arti…The Field of Cultural Production (1994)The Field of Cultural Product…Marketing Modernism in Fin-de-Siècle Europe (1994)Marketing Modernism in Fin-de…Nothing If Not Critical (1991)Nothing If Not CriticalThe collected essays and criticism (1986)The collected essays and crit…Art on the edge (1975)Art on the edgeMy galleries and painters (1971)My galleries and paintersBorn under Saturn (1971)Born under SaturnThe tradition of the new (1959)The tradition of the newThe Complete Letters of Vincent Van Gogh (1959)The Complete Letters of Vince…The Cohort as a Concept in the Study of Social Change (1985)Celebrating Pluralism: Art, Education, and Cultural Diversity (1999)Tradition through Modernity: Postmodernism and the Nation-State in Folklore Scholarship (2005)Age and the Quality of Work: The Case of Modern American Painters (2000)Queer Globalizations Citizenship and the Afterlife of Colonialism (2002)Gadamer and the Legacy of German Idealism (2009)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)The Avant-Garde in Interwar England: Medieval Modernism and the London Underground (2000)Theorizing the Cultural Roots of the Bohemian Artist (2000)The artist and the brand (2005)Wayward winds: Malay archetypes, and theory of personality in the context of shamanism (1988)Enduringness and change in creative personality and the prediction of occupational creativity. (1995)Hyperreflexivity as a condition of mental disorder: a clinical and historical perspective. (2008)Being Creative at the Marketing/Entrepreneurship Interface: Lessons from the Art Industry (2000)Quantifying Artistic Success: Ranking French Painters—and Paintings—from Impressionism to Cubism (2002)Heidegger, Art, and Postmodernity (2011)Creative Cities, Creative Spaces and Urban Policy (2009)The Life Cycles of Modern Artists: Theory, Measurement, and Implications (2003)Hand over fist: a chronicle of Cold War photography (2015)Contemporary Art and Global Identity in the Arabian Peninsula and Azerbaijan (2017)The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century (2003)The Greatest Artists of the Twentieth Century (2005)Pricing Revolution: From Abstract Expressionism to Pop Art (2017)
this work references cited by second hop

References

  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 1986The collected essays and criticism250 cited
  • 1994Marketing Modernism in Fin-de-Siècle Europe151 cited
  • 1959The tradition of the new124 cited
  • 1959The Complete Letters of Vincent Van Gogh98 cited
  • 2012Theories and Documents of Contemporary Art74 cited
  • 2001Interviews with American Artists29 cited
  • 1971Born under Saturn26 cited
  • 1991Nothing If Not Critical23 cited
  • 2002On the Way to Work22 cited
  • 1975Art on the edge13 cited
  • 1971My galleries and painters10 cited

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