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L’appréciation esthétique de l’improvisation
13 references·0 citing·42 second hop
L’appréciation esthétique de l’improvisation (2014)L’appréciation esthétique de l’improvisat…Improvisation collective libre et processus de création musicale : création et créativité au prisme de la coordination (2012)Improvisation collective libr…Improviser ensemble. De l’interaction à l’écologie sonore (2010)Improviser ensemble. De l’int…The Aesthetic Appreciation of Music (2009)The Aesthetic Appreciation of…On Improvisation, Temporality, and Embodied Experience (2008)On Improvisation, Temporality…Simulating minds: the philosophy, psychology, and neuroscience of mindreading (2006)Simulating minds: the philoso…Making Music Together. A Study of Social Relationships (2006)Making Music Together. A Stud…Music as Narrative and Music as Drama (2004)Music as Narrative and Music …Composition et improvisation (2004)Composition et improvisation"Feeling My Way": Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection (2000)"Feeling My Way": Jazz Improv…Musical Works, Improvisation, and The Principle of Continuity (1996)Musical Works, Improvisation,…Music as Drama (1988)Music as DramaCognitive Processes in Improvisation (1984)Cognitive Processes in Improv…Categories of Art (1970)Categories of ArtExperimental Psychology (1939)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Organizational Improvisation and Learning: A Field Study (2001)The Nature of Fiction (1990)Mimesis as Make-Believe (1993)Ulysses Unbound (2000)Narrativity: From Objectivist to Functional Paradigm (2010)Effects of Film Music on Psychological Transportation and Narrative Persuasion (2013)The Spectral Piano (2014)Must we mean what we say?1 (1958)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)The Corded Shell: Reflections on Musical Expression (1982)Well-being : the foundations of hedonic psychology (1999)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)The sound of surprise : 46 pieces on jazz (1959)The Imperfect Art: Reflections on Jazz and Modern Culture (1988)All Play and No Work: An Ontology of Jazz (2011)Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work (2018)We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices? (2020)Languages of Art: An Approach to a Theory of Symbols. (1979)The Glenn Gould reader (1984)Piece for the End of Time: In Defence of Musical Ontology (2008)Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View from Bakhtin (2011)Imitation, Empathy, and Mirror Neurons (2008)An integrated theory of language production and comprehension (2013)Toward a second-person neuroscience (2013)Values of Music (2013)Kant on Aesthetic Attention (2020)Paintings of Music (2022)What Is Sociological about Music? (2010)Measuring social interaction in music ensembles (2016)Handbook of Musical Identities (2017)Imagination and the Aesthetic Appreciation of Nature (1998)Arts and Minds (2004)Art and Intention (2005)Digital Humanities Pedagogy: Practices, Principles and Politics (2012)Improvisation and the self-organization of multiple musical bodies (2015)Improvisation, Enaction, and Self-Assessment (2019)
this work references cited by second hop

References

  • 2006Simulating minds: the philosophy, psychology, and neuroscience of mindreading1,239 cited
  • 1970Categories of Art684 cited
  • 1984Cognitive Processes in Improvisation199 cited
  • 2006Making Music Together. A Study of Social Relationships170 cited
  • 1988Music as Drama127 cited
  • 2008On Improvisation, Temporality, and Embodied Experience74 cited
  • 2000"Feeling My Way": Jazz Improvisation and Its Vicissitudes-A Plea for Imperfection60 cited
  • 1996Musical Works, Improvisation, and The Principle of Continuity57 cited
  • 2009The Aesthetic Appreciation of Music49 cited
  • 2004Music as Narrative and Music as Drama34 cited
  • 2010Improviser ensemble. De l’interaction à l’écologie sonore11 cited
  • 2004Composition et improvisation10 cited
  • 2012Improvisation collective libre et processus de création musicale : création et créativité au prisme de la coordination7 cited

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