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This study of the christology of Revelation examines the major christological images in the book, the "one like a son of man, " the Lamb and the Divine Warrior, by employing the methods of historical criticism and aspects of sociology of knowledge in order to ascertain the ways in which these christological images enabled the original recipients to identify with their Lord, maintain and remain within Revelation's sacred cosmos.
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Stored only when both papers are in the corpus — 14 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.