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Sound and semantics: topics in the music of Arnold Schoenberg
16 references·1 citing·25 second hop
Sound and semantics: topics in the music of Arnold Schoenberg (2013)Sound and semantics: topics in the music …A theory of musical narrative (2009)A theory of musical narrativeMusic as Discourse: Semiotic Adventures in Romantic Music (2008)Music as Discourse: Semiotic …The musical topic: hunt, military, and pastoral (2007)The musical topic: hunt, mili…Intertextuality in Western art music (2005)Intertextuality in Western ar…Musical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Interpreting Popular Music (1998)Interpreting Popular MusicMusical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Musical Meaning in Beethoven:…Mozart: The 'Jupiter' Symphony (1993)Mozart: The 'Jupiter' SymphonyPlaying with Signs: A Semiotic Interpretation of Classic Music (1991)Playing with Signs: A Semioti…Introduction to Post-Tonal Theory (1991)Introduction to Post-Tonal Th…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Texture as a Sign in Classic and Early Romantic Music (1982)Texture as a Sign in Classic …Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…The Structure of Atonal Music (1973)The Structure of Atonal MusicEmotion and Meaning in Music (1961)Emotion and Meaning in MusicStyle and Idea (1950)Style and IdeaKaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)Kaleidoscopic Topics in the M…Key Components of Musical Discourse Analysis (2013)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Theorizing Musical Meaning (2001)The orchestral revolution: Haydn and the technologies of timbre (2013)Music theory and mathematics (2002)Sectional Tonality and Sectional Centricity in Rock Music (2009)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Emotions in Music (2012)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)The Cambridge Companion to Opera Studies (2012)Enacting Musical Time (2019)Harmony in Haydn and Mozart (2012)
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References

  • 1961Emotion and Meaning in Music1,957 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1973The Structure of Atonal Music501 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 2007The musical topic: hunt, military, and pastoral340 cited
  • 1991Playing with Signs: A Semiotic Interpretation of Classic Music331 cited
  • 2009A theory of musical narrative317 cited
  • 2001Musical MeaningToward a Critical History281 cited
  • 2008Music as Discourse: Semiotic Adventures in Romantic Music277 cited
  • 1991Introduction to Post-Tonal Theory277 cited
  • 2005Intertextuality in Western art music275 cited
  • 1996Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation219 cited
  • 1950Style and Idea204 cited
  • 1993Mozart: The 'Jupiter' Symphony194 cited
  • 1982Texture as a Sign in Classic and Early Romantic Music132 cited
  • 1998Interpreting Popular Music130 cited

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  • 2024

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Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès
3 cited