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Liszt's Experimental Idiom and Music of the Early Twentieth Century · Study

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ArticleLiszt's Experimental Idiom and Music of the Early Twentieth Century

Allen Forte1987

Article1987

Liszt's Experimental Idiom and Music of the Early Twentieth Century

104 citations·0/0 files stored·19th-Century Music

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

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References

1973The Structure of Atonal Music 1960A History of Western Music 1950Style and Idea 1976Dissonant Prolongation: Theoretical and Compositional Precedents

Cited by

1988Progressive harmonic theory in the mid‐nineteenth century 2003Virtuosity and the Musical Work: The Transcendental Studies of Liszt 1988The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid 2020The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content 2023Translating musical meaning 1993Music Theory and Musicology 2005Bruckner's symphonies: analysis, reception and cultural politics 2008Monotonality and chromatic dualism in Richard Strauss’s Salome

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Details

Year1987

Typearticle

Published1987-01-01

Venue19th-Century Music

ISSN-L0148-2076

Languageen

Citations104

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1525/ncm.1987.10.3.02a00030

openalex_workW2018231149

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