Bruckner's symphonies: analysis, reception and cultural politics

Julian Horton

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Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

Abstract

1. Introduction: the critical problem 2. Bruckner and nineteenth-century Vienna: analysis and historical context 3. Right-wing cultural politics and the Nazi appropriation of Bruckner 4. Bruckner and musical analysis 5. Bruckner and the construction of musical influence 6. Analysis and the problem of the editions 7. Psychobiography and analysis 8. Epilogue: Bruckner and his contexts.

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References

1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions 1995Reimag(in)ing Riemann 1977The Structure of the "Ring" and Its Evolution 1976Dissonant Prolongation: Theoretical and Compositional Precedents 1991Towards a New Poetics of Musical Influence 1987Liszt's Experimental Idiom and Music of the Early Twentieth Century 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B 1980Influence: Plagiarism and Inspiration

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2016Music and the Agents of Obsession 2013Cyclical thematic processes in the nineteenth-century symphony

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