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Liszt's Experimental Idiom and Music of the Early Twentieth Century
4 references·16 citing·35 second hop
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this work references cited by second hop

References

  • 1973The Structure of Atonal Music501 cited
  • 1960A History of Western Music359 cited
  • 1950Style and Idea204 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited

Cited by

  • 1988Progressive harmonic theory in the mid‐nineteenth century38 cited
  • 2003Virtuosity and the Musical Work: The Transcendental Studies of Liszt33 cited
  • 1988The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid30 cited
  • 2020The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content21 cited
  • 2023Translating musical meaning19 cited
  • 1993Music Theory and Musicology13 cited
  • 2005Bruckner's symphonies: analysis, reception and cultural politics11 cited
  • 2008Monotonality and chromatic dualism in Richard Strauss’s Salome10 cited
  • 2023Music in Profile7 cited
  • 1989Schenkerian Theory7 cited
  • 2024Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history6 cited
  • 2003Making and remaking

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5 cited
  • 2007Analyses of Nineteenth- and Twentieth-Century Music, 1940-20004 cited
  • 1989Into the Foothills: New Directions in Nineteenth-Century Analysis4 cited
  • 1997Perception & Apperception in Liszt's Late Piano Music4 cited
  • 2023The (f)utility of performance analysis4 cited