SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Seven Days in the Art World
0 references·16 citing·53 second hop
Seven Days in the Art World (2008)Seven Days in the Art WorldDoes Resource Diversity Confer Organizational Autonomy In Arts Organizations? Extending Resource Dependence Theory (2019)Does Resource Diversity Confe…The challenge of communicating reciprocal value promises: Buyer-seller value proposition disparity in professional services (2017)The challenge of communicatin…Crowd-patronage—Intermediaries, geographies and relationships in patronage networks (2017)Crowd-patronage—Intermediarie…“Hustling” in film school as socialization for early career work in media industries (2017)“Hustling” in film school as …Towards a Sociology of Fashion Micro-Enterprises: Methods for Creative Economy Research (2016)Towards a Sociology of Fashio…Fuelling museums and art fairs in Peru’s capital: the work of the market and multi-scale assemblages (2016)Fuelling museums and art fair…The Art of Representation: How Audience-specific Reputations Affect Success in the Contemporary Art Field (2015)The Art of Representation: Ho…Painting the Nation (2015)Painting the NationMoments of valuation exploring sites of dissonance (2015)Moments of valuation explorin…Art and resilience: The spatial practices of making a resilient artistic career in London (2015)Art and resilience: The spati…Prize & price: The Turner Prize as a valuation device in the contemporary art market (2014)Prize & price: The Turner Pri…Making value co-creation a reality – exploring the co-creative value processes in customer–salesperson interaction (2014)Making value co-creation a re…Art seen from outside: Non-artistic legitimation within the field of fashion design (2014)Art seen from outside: Non-ar…Art at the crossroads: The arts in society and the sociology of art (2014)Art at the crossroads: The ar…The mastersingers: language and practice in an operatic masterclass (2013)The mastersingers: language a…The difference principle? shaping competitive advantage in the cultural product industries (2010)The difference principle? sha…Reproduction in Education, Society and Culture (1979)A Brief History of Neoliberalism (2005)“Marketing from the Art World”: A Critical Review of American Research in Arts Marketing (2017)Individual motivation among entrepreneurs in the creative and cultural industries: A self‐determination perspective (2019)A Brief History of Neoliberalism (2020)Econometric Analysis of Cross Section and Panel Data (2001)How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Retrospective Consecration Beyond the Mainstream: The Creation of a Progressive Rock Canon (2019)Econometric Analysis of Panel Data (2021)Three Approaches to Qualitative Content Analysis (2005)The qualitative content analysis process (2008)Dix ans de co-création de valeur : une revue intégrative (2016)The Discovery of Grounded Theory (2017)From customer value co-creation behaviour to customer perceived value (2021)The Role of Salespeople in Value Co-Creation and Its Impact on Sales Performance (2021)Job Market Signaling (1973)WHAT'S IN A NAME? REPUTATION BUILDING AND CORPORATE STRATEGY. (1990)Corporate reputation and sustained superior financial performance (2002)Capability Reputation, Character Reputation, and Exchange Partners’ Reactions to Adverse Events (2018)Middle-Status Conformity Revisited: The Interplay between Achieved and Ascribed Status (2018)Expert Critics, Rankings, and Review Aggregators: The Changing Nature of Intermediation and the Rise of Markets with Multiple Intermediaries (2022)Outsiders; studies in the sociology of deviance (1963)Subculture: The Meaning of Style (1995)The Work of Art in the Age of Mechanical Reproduction (2007)The Politics of Race in Cultural Distribution: Addressing Inequalities in British Asian Theatre (2017)‘Shit is hard, yo’: young people making a living in the creative industries (2018)Big data, qualitative style: a breadth-and-depth method for working with large amounts of secondary qualitative data (2018)Flexible Citizenship: The Cultural Logics of Transnationality (2001)Neoliberalism as Exception (2006)The Birth of Biopolitics: Lectures at the Collège de France, 1978-1979 (2008)37. The Acton Photograph Archive: Between Representation and Re-Interpretation (2019)The Anthropology of Art, After the End of Art: Contesting the Art-Culture System (2019)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Laboratory Life: The Construction of Scientific Facts (1986)We have never been modern (1994)Valuation and Calculation at the Margins (2015)Yield and the city: Swedish public housing and the political significance of changed accounting practices (2020)Valuation devices and the dynamic legitimacy-performativity nexus: The case of PEP in the English legal profession (2021)The Constitution of Society. Outline of the Theory of Structuration (1984)Writing Ethnographic Fieldnotes. (1996)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)‘Put some balls on that woman’: Gendered repertoires of inequality in screen composers’ careers (2020)The work of hope: Spiritualizing, hustling and waiting in the creative industries in Ghana (2020)‘The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries (2022)Consumer Culture and Postmodernism (1993)The economy of qualities (2002)Crowdfunding Models, Strategies, and Choices Between Them (2020)Crowdfunding artists: beyond match-making on platforms (2021)The art of crowdfunding arts and innovation: the cultural economic perspective (2022)A framework integrating interval-valued hesitant fuzzy DEMATEL method to capture and evaluate co-creative value propositions for smart PSS (2019)A bibliometric investigation of service failure literature and a research agenda (2020)Toward a comprehensive framework of value proposition development: From strategy to implementation (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Moments of valuation exploring sites of dissonance169 cited
  • 2015The Art of Representation: How Audience-specific Reputations Affect Success in the Contemporary Art Field102 cited
  • 2014Art at the crossroads: The arts in society and the sociology of art65 cited
  • 2016Fuelling museums and art fairs in Peru’s capital: the work of the market and multi-scale assemblages64 cited
  • 2014Making value co-creation a reality – exploring the co-creative value processes in customer–salesperson interaction58 cited
  • 2017Crowd-patronage—Intermediaries, geographies and relationships in patronage networks55 cited
  • 2016Towards a Sociology of Fashion Micro-Enterprises: Methods for Creative Economy Research53 cited
  • 2017The challenge of communicating reciprocal value promises: Buyer-seller value proposition disparity in professional services49 cited
  • 2014Prize & price: The Turner Prize as a valuation device in the contemporary art market41 cited
  • 2017“Hustling” in film school as socialization for early career work in media industries40 cited
  • 2015Art and resilience: The spatial practices of making a resilient artistic career in London38 cited
  • 2013The mastersingers: language and practice in an operatic masterclass33 cited
  • 2010The difference principle? shaping competitive advantage in the cultural product industries

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

33 cited
  • 2014Art seen from outside: Non-artistic legitimation within the field of fashion design31 cited
  • 2019Does Resource Diversity Confer Organizational Autonomy In Arts Organizations? Extending Resource Dependence Theory28 cited
  • 2015Painting the Nation26 cited