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Cited by

• 2014Injecting the African spirit of humanity into teaching, learning and assessment of musical arts in the modern classroom12 cited
• 2011Bytes and Backbeats7 cited
• 2007Learning Aesthetic Values in African Musical Worlds6 cited
• 2025Contemporary Ideas in African Art Music Composition: An Exploration of the Vocal and Instrumental Works of Seun Owoaje5 cited
• 2019Heritagization of Tamu music—from lived culture to heritage to be safe-guarded5 cited
• 2016Studio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats5 cited
• 2023Music and the Cultural Production of Scale4 cited
• 2011Sources of inspiration for music composition in Okpe4 cited
• 2020Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002)4 cited
• 2021Embodied Listening: Grassroots Governance in Electronic Dance Music Venues in Accra (Ghana)4 cited
• 2019Renewing Cultural Resources and Sustaining J.H. Kwabena Nketia's Vision for an African Music Archive in Ghana3 cited
• 2024Mapping Musical Mobilities: Challenging Musical Nationalism through Mobility and Migration3 cited
• 2025Tonality and Atonality of Speech Surrogacy as Resource for African Pianism3 cited
• 2016