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SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT*
4 references·16 citing·14 second hop
SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)SYNTHESIS AND ACID RESISTANCE OF MAYA BLU…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Maya Blue Paint: An Ancient Nanostructured Material (1996)Maya Blue Paint: An Ancient N…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)Shades of blue: non-invasive …Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)Non-invasive investigation of…The first direct evidence of pre-columbian sources of palygorskite for Maya Blue (2012)The first direct evidence of …Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)Aged Natural and Synthetic Ma…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …The Maya Blue Pigment (2011)The Maya Blue PigmentInsights into the Maya Blue Technology: Greenish Pellets from the Ancient City of La Blanca (2011)Insights into the Maya Blue T…From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles (2011)From Maya Blue to “Maya Yello…Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Chemical stability and dehydr…On the interpretation of the Raman spectra of Maya Blue: a review on the literature data (2010)On the interpretation of the …Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview (2009)Voltammetric methods applied …A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…The first direct evidence for the production of Maya Blue: rediscovery of a technology (2008)The first direct evidence for…Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS (2007)Sourcing the Palygorskite Use…Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Chemometric Study of Maya Blu…On the Raman spectrum of Maya blue (2006)On the Raman spectrum of Maya…Maya Blue: A Computational and Spectroscopic Study (2005)Surface‐enhanced Raman spectroscopy spectra of Mexican dyestuffs (2012)The colour of ochres explained by their composition (2005)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Pigments—the palette of organic colourants in wall paintings (2021)Florentine Codex: General history of the things of New Spain (1950)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
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References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1996Maya Blue Paint: An Ancient Nanostructured Material249 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited

Cited by

  • 2011Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment111 cited
  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2007Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach77 cited
  • 2006On the Raman spectrum of Maya blue68 cited
  • 2008The first direct evidence for the production of Maya Blue: rediscovery of a technology64 cited
  • 2011From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles61 cited
  • 2009Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview53 cited
  • 2011The Maya Blue Pigment53 cited
  • 2020Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices51 cited
  • 2007Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS

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47 cited
  • 2010On the interpretation of the Raman spectra of Maya Blue: a review on the literature data46 cited
  • 2011Insights into the Maya Blue Technology: Greenish Pellets from the Ancient City of La Blanca45 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2012Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make?41 cited
  • 2013Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex40 cited
  • 2012The first direct evidence of pre-columbian sources of palygorskite for Maya Blue39 cited