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Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.