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Composizione e improvvisazione: dove sta la differenza?
11 references·0 citing·35 second hop
Composizione e improvvisazione: dove sta la differenza? (2014)Composizione e improvvisazione: dove sta …Creativity and Improvisation in Jazz and Organizations: Implications for Organizational Learning (2017)Creativity and Improvisation …Abiti, tecniche corporee e stili di vita (2012)Abiti, tecniche corporee e st…A Topography of Improvisation (2010)A Topography of ImprovisationBody consciousness: a philosophy of mindfulness and somaesthetics (2008)Body consciousness: a philoso…Steve Lacy (2006)Steve LacyReview - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (2004)Review - The Other Side of No…Foreword: Improvisation in The Arts (2000)Foreword: Improvisation in Th…L'improvisation dans les musiques de tradition orale (1989)L'improvisation dans les musi…La musique et l'ineffable (1983)La musique et l'ineffableTHOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH (1974)THOUGHTS ON IMPROVISATION: A …The shape of jazz to come (1958)The shape of jazz to comeImprovisation: Its Nature And Practice In Music (1980)What the music said: black popular music and black public culture (1999)Music and the racial imagination (2000)Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View from Bakhtin (2011)Wellbeing and Integration through Community Music: The Role of Improvisation in a Music Group of Refugees, Asylum Seekers and Local Community Members (2019)Rethinking Music Education and Social Change (2021)The Logic of Practice (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Does Bodily Awareness Interfere with Highly Skilled Movement? (2010)Emotional Reflexivity: Feeling, Emotion and Imagination in Reflexive Dialogues (2012)Mind, Self, and Society (2015)A critique of “Forest School” or something lost in translation (2018)Exploration and Exploitation in Organizational Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)The Human Condition (1998)Minimal Structures: From Jazz Improvisation to Product Innovation (2001)Organizational Learning: A Socio-Cognitive Framework (2003)Ideas are Born in Fields of Play: Towards a Theory of Play and Creativity in Organizational Settings (2006)Robust Praxialism and the Anti-Aesthetic Turn (2010)Improvisation in the Arts (2015)The Jazz Solo as Virtuous Act (2016)Cognitive Processes in Improvisation (1984)Decision support for improvisation in response to extreme events: Learning from the response to the 2001 World Trade Center attack (2005)A Cognitive Model of Improvisation in Emergency Management (2007)Sri Lankan, Low-Country, Ritual Drumming: The Raigama Tradition (2009)The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes (2020)Italian Ethnomusicology (1995)The song of the nightingale: Processes of improvisation indastgāh Segāh(Iranian classical music) (1998)Modèles linguistiques et analyse des structures musicales (2013)Rhetoric, repetition, reporting and the “dot.com” era: words, pictures, intangibles (2008)Visual rhetoric and the case of intellectual capital (2014)Sound Design is the New Score (2019)The Other's Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997 (2004)The Jazz Image (2010)Creativity in Jazz (2014)
this work references cited by second hop

References

  • 2008Body consciousness: a philosophy of mindfulness and somaesthetics433 cited
  • 2017Creativity and Improvisation in Jazz and Organizations: Implications for Organizational Learning299 cited
  • 1974THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH216 cited
  • 1983La musique et l'ineffable125 cited
  • 2004Review - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue74 cited
  • 2010A Topography of Improvisation29 cited
  • 1989L'improvisation dans les musiques de tradition orale23 cited
  • 2006Steve Lacy20 cited
  • 1958The shape of jazz to come15 cited
  • 2000Foreword: Improvisation in The Arts8 cited
  • 2012Abiti, tecniche corporee e stili di vita1 cited

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