References

• 2011A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa606 cited
• 2003Clay and iron oxide pigments in the history of painting375 cited
• 1999RED PALAEOLITHIC PIGMENTS: NATURAL HEMATITE OR HEATED GOETHITE?*129 cited
• 2009Role of laser ablation–inductively coupled plasma–mass spectrometry in cultural heritage research: A review122 cited
• 2009Laser ablation‐inductively coupled plasma mass spectrometry in archaeometric research105 cited
• 2007Elemental analysis and characterization of ochre sources from Southern Arizona95 cited
• 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
• 2008THE ORIGIN AND GEOCHEMICAL CHARACTERIZATION OF RED OCHRES FROM THE TITO BUSTILLO AND MONTE CASTILLO CAVES (NORTHERN SPAIN)*80 cited
• 2012SELECTION AND HEATING OF COLOURING MATERIALS IN THE MOUSTERIAN LEVEL OF ES‐SKHUL (c. 100 000 YEARS BP, MOUNT CARMEL, ISRAEL)80 cited
• 2011Hematite sources and archaeological ochres from Hohokam and O’odham sites in central Arizona: an experiment in type identification and characterization73 cited
• 2003Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa67 cited
• 2012IDENTIFICATION, PROCESSING AND USE OF RED PIGMENTS (HEMATITE AND CINNABAR) IN THE VALENCIAN EARLY NEOLITHIC (SPAIN)65 cited
• 2007Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art*