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Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80
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Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80 (2013)Beyond Homage and Critique? Schubert’s So…On the Uses and Disadvantages of History for Life (2012)On the Uses and Disadvantages…Intertextuality (2011)IntertextualityMusic and Monumentality (2009)Music and MonumentalityIntertextuality in Western Art Music (2004)Intertextuality in Western Ar…Decentering Music (2003)Decentering MusicReturning CyclesContexts for the Interpretation of Schubert's Impromptus and Last Sonatas (2001)Returning CyclesContexts for …„auf eine wirklich ganz alte Manier“? Händel-Anlehnung und Eigenständigkeit in Beethovens Klavier-Variationen c-Moll WoO 80 (2001)„auf eine wirklich ganz alte …Beyond Privileged Contexts: Intertextuality, Influence, and Dialogue (1999)Beyond Privileged Contexts: I…Review: Towards a New Poetics of Musical Influence by Kevin Korsyn; Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition by Joseph N. Straus (1993)Review: Towards a New Poetics…Towards a New Poetics of Musical Influence (1991)Towards a New Poetics of Musi…Music as Cultural Practice, 1800-1900 (1991)Music as Cultural Practice, 1…Remaking the Past (1990)Remaking the PastThe Content of the Form: Narrative Discourse and Historical Representation. (1987)The Content of the Form: Narr…On Deconstruction. Theory and Criticism after Structuralism (1984)On Deconstruction. Theory and…Schubert and Beethoven's Eight-Six Chord (1981)Schubert and Beethoven's Eigh…Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Metahistory. The Historical I…Constructing Post-Colonial India (2005)On Failing to Make the Past Present (2012)The Ethics of Storytelling (2017)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)STORIES OF THE STORYTELLING ORGANIZATION: A POSTMODERN ANALYSIS OF DISNEY AS "TAMARA-LAND". (1995)Literary Theory: A Very Short Introduction (1999)Stories of Experience and Narrative Inquiry (1990)Narrative configuration in qualitative analysis (1995)Methodology of the Oppressed (2010)The Cambridge Introduction to Narrative (2008)Analysis of Personal Narratives (2012)The Cambridge Introduction to Narrative (2020)Neoclassic and Anachronistic Impulses in Twentieth-Century Music (1996)(Ac)cumulative Form in Pop-Rock Music (2004)Extraordinary Measures (2011)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)The Cambridge Haydn Encyclopedia (2019)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)Intertextuality and Language Policy (2015)Strategy and narrative in higher education (2016)Introduction to Discourse Studies (2018)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)The Cambridge History of Modernism (2017)Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber (2003)Changing Content in Flagship Music Theory Journals, 1979–2014 (2017)The STEAM approach: Implementation and educational, social and economic consequences (2021)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Music Education and Cultural Identity (2005)Performing History: The Importance of Occasions (2005)
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References

  • 1975Metahistory. The Historical Imagination in Nineteenth-Century Europe.2,647 cited
  • 1987The Content of the Form: Narrative Discourse and Historical Representation.1,243 cited
  • 1984On Deconstruction. Theory and Criticism after Structuralism815 cited
  • 2012On the Uses and Disadvantages of History for Life523 cited
  • 2011Intertextuality353 cited
  • 1991Music as Cultural Practice, 1800-1900230 cited
  • 1990Remaking the Past187 cited
  • 2009Music and Monumentality109 cited
  • 1991Towards a New Poetics of Musical Influence108 cited
  • 2003Decentering Music75 cited
  • 2001Returning CyclesContexts for the Interpretation of Schubert's Impromptus and Last Sonatas59 cited
  • 2004Intertextuality in Western Art Music48 cited
  • 1999Beyond Privileged Contexts: Intertextuality, Influence, and Dialogue47 cited
  • 1993Review: Towards a New Poetics of Musical Influence by Kevin Korsyn; Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition by Joseph N. Straus37 cited
  • 1981Schubert and Beethoven's Eight-Six Chord20 cited
  • 2001„auf eine wirklich ganz alte Manier“? Händel-Anlehnung und Eigenständigkeit in Beethovens Klavier-Variationen c-Moll WoO 80

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