Self impression: life-writing, autobiografiction, and the forms of modern literature

Abstract

PART I: MODERN IRONISATIONS OF AUTO/BIOGRAPHY AND THE EMERGENCE OF AUTOBIOGRAFICTION: VICTORIAN AND FIN-DE-SIECLE PRECURSORS 1. Im/personality: The Imaginary Portraits of Walter Pater 2. Aesthetic Auto/biography: Ruskin and Proust 3. Pseudonymity, Third-personality, and Anonymity as disturbances in fin-de-siecle auto/biography 4. Autobiografiction: Stephen Reynolds and A. C. Benson 5. Auto/biografiction: Counterfeit Lives: A Taxonomy of Displacements of Fiction towards Life-Writing 6. Literary Impressionism and Impressionist Autobiographies: Henry James, Joseph Conrad, and Ford Madox Ford PART II: MODERNIST AUTO/BIOGRAFICTION 7. Heteronymity I: Imaginary Authorship and Imaginary Autobiography: Pessoa, Joyce, Svevo 8. Heteronymity II: Taxonomies of Fictional Creativity: Joyce (continued) and Stein 9. Auto/biographese and Auto/biografiction in Verse: Ezra Pound and Hugh Selwyn Mauberley 10. Satirical Auto/biografiction: Richard Aldington and Wyndham Lewis 11. Woolf, Bloomsbury, the 'New Biography', and the New Auto/biografiction 12. After-Lives: Postmodern Experiments in Meta-Auto/biografiction: Sartre, Nabokov, Lessing, Byatt CONCLUSION

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