SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Mapping the Moving Image: Gesture, Thought and Cinema circa 1900
0 references·8 citing·27 second hop
Mapping the Moving Image: Gesture, Thought and Cinema circa 1900 (2010)Mapping the Moving Image: Gesture, Though…Being hybrid: a conceptual update of consumer self and consumption due to online/offline hybridity (2019)Being hybrid: a conceptual up…Hellenomania (2018)HellenomaniaEarly Film Theories in Italy, 1896-1922 (2017)Early Film Theories in Italy,…Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact (2014)Techné/Technology: Researchin…Cinematic gesture: The ghost in the machine (2014)Cinematic gesture: The ghost …Ex-centric Cinema: Machinic Vision in the Powers of Ten and Electronic Cartography (2012)Ex-centric Cinema: Machinic V…Civic Visions: Mapping the ‘City’ Film 1900–1960 (2012)Civic Visions: Mapping the ‘C…‘Don’t Box Me In’: Blurred Lines in Waking Life and A Scanner Darkly (2012)‘Don’t Box Me In’: Blurred Li…Visual and Other Pleasures (1989)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Early Cinema: Space-Frame-Narrative (1992)The Melodramatic Imagination (1984)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)The Cinema of Attractions Reloaded (2006)Illuminations: Essays and Reflections (1968)Archaeology of Knowledge (1970)How We Became Posthuman (1999)The Production of Space (1992)Atlas of emotion: journeys in art, architecture, and film (2003)Social science history (2020)Understanding Media: The Extensions of Man (1964)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Modernity at Large: Cultural Dimensions of Globalization. (1998)Techniques of the observer: on vision and modernity in the nineteenth century (1991)All that is solid melts into air : the experience of modernity (1995)Ovid on Screen (2020)THEORY OF FILM: The Redemption of Physical Reality (1965)Classics Transformed: Schools, Universities, and Society in England, 1830-1960 (1999)The Haunted Gallery: painting, photography, film c. 1900 (2010)The Presentation of Self in Everyday Life. (1956)High-fidelity consumption and the claustropolitan structure of feeling (2021)Consumer self-concept and digitalization: what does this mean for brands? (2022)Introduction to the special issue: presenting marketing differently (2022)The Presentation of Self in Everyday Life (2023)Advances in Consumer Research (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2019Being hybrid: a conceptual update of consumer self and consumption due to online/offline hybridity41 cited
  • 2017Early Film Theories in Italy, 1896-192238 cited
  • 2014Cinematic gesture: The ghost in the machine15 cited
  • 2014Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact7 cited
  • 2012‘Don’t Box Me In’: Blurred Lines in Waking Life and A Scanner Darkly6 cited
  • 2012Ex-centric Cinema: Machinic Vision in the Powers of Ten and Electronic Cartography6 cited
  • 2018Hellenomania6 cited
  • 2012Civic Visions: Mapping the ‘City’ Film 1900–19606 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work