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Circular breathing: the cultural politics of jazz in Britain
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  • 2008From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value60 cited
  • 2017Improvisation and Social Aesthetics60 cited
  • 2011Why Concert Promoters Matter39 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2010Playing Off Site: The Untranslation of Onkyô31 cited
  • 2011Sewing the ‘subversive thread of imagination’: Jeff Nuttall,Bomb Cultureand the radical potential of affect28 cited
  • 2012The Beatles' Politics22 cited
  • 2013The Tomorrow's Warriors Jam Sessions: Repertoires of Transmission and Hospitality19 cited
  • 2012‘The Age of the Beatles’: Parliament and Popular Music in the 1960s18 cited
  • 2014Indeterminacy, Free Improvisation, and the Mixed Avant-Garde:16 cited
  • 2008Consumption, Coca-colonisation, Cultural Resistance – and Santa Claus14 cited
  • 2014Musicians as Workers: Putting the UK Musicians' Union into Context13 cited
  • 2017Improvisation and Social Aesthetics11 cited
  • 2016The impact of (jazz) festivals10 cited
  • 2014Improvisation in the digital age: New narratives in jazz promotion and dissemination

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8 cited
  • 2009Pina Bausch, creative industries and the materiality of artistic labour7 cited