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The BFI Companion to the Western
0 references·6 citing·24 second hop
The BFI Companion to the Western (1990)The BFI Companion to the WesternThe Seductive and Subversive Meta-Narrative of Unforgiven (2008)The Seductive and Subversive …Romancing the Stones: Archaeology in Popular Cinema (2004)Romancing the Stones: Archaeo…Revisiting the "Revisionist" Western (2003)Revisiting the "Revisionist" …Black-Audience Westerns and the Politics of Cultural Identification in the 1930s (2002)Black-Audience Westerns and t…A Woman's Gotta Do ... What a Man's Gotta Do? Cross-Dressing in the Western (1997)A Woman's Gotta Do ... What a…Boundary riding: Cross‐cultural analysis, national cinema and genre (1995)Boundary riding: Cross‐cultur…The Political Unconscious: Narrative as a Socially Symbolic Act (1982)Parallel tracks: the railroad and silent cinema (1997)Genre and Hollywood (2005)Marxism and the Interpretation of Culture (1400)Black looks: race and representation (1992)Unthinking Eurocentrism: Multiculturalism and the Media (1996)Playing Chicken With the Train: Cowboy Troy's Hick-Hop and the Transracial Country West (2010)Black Hillbillies (2013)Why African Americans Put the Banjo Down (2013)The six-gun mystique (1984)The Western Genre: From Lordsburg to Big Whiskey (2001)Alice Doesn't: Feminism, Semiotics, Cinema (1985)Speculum of the other woman (1985)Sexuality in the Field of Vision (1998)She Wants to be a Sledgehammer? (2001)The Dialogic Imagination: Four Essays (1981)The Predicament of Culture (1988)The Location of Culture (2012)Distinction. A Social Critique of the Judgement of Taste (1985)A History of Archaeological Thought. By Bruce G. Trigger. (1992)Cinema, Supernatural Archaeology, and the Hidden Human Past (2012)Arqueología pública: reflexiones sobre la construcción de un objeto de estudio, con comentarios de Daniella Jofré, Lúcio Mesezes y Henry Tantalean (2013)Archaeology and the Moving Image (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)
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Cited by

  • 2002Black-Audience Westerns and the Politics of Cultural Identification in the 1930s35 cited
  • 2004Romancing the Stones: Archaeology in Popular Cinema33 cited
  • 1997A Woman's Gotta Do ... What a Man's Gotta Do? Cross-Dressing in the Western26 cited
  • 2003Revisiting the "Revisionist" Western16 cited
  • 2008The Seductive and Subversive Meta-Narrative of Unforgiven7 cited
  • 1995Boundary riding: Cross‐cultural analysis, national cinema and genre7 cited

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