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Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy)

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References

2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
2008Green pigments of the Pompeian artists’ palette127 cited
2005Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings126 cited
2010Pigments used in Roman wall paintings in the Vesuvian area113 cited
2000GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts107 cited
2008Green Copper Pigments Biodegradation in Cultural Heritage: From Malachite to Moolooite, Thermodynamic Modeling, X-ray Fluorescence, and Raman Evidence98 cited
2004Analysis of bulk and inorganic degradation products of stones, mortars and wall paintings by portable Raman microprobe spectroscopy94 cited
2010Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius)90 cited
2008Micro‐Raman characterizations of Pompei'smortars85 cited

Cited by

2021Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review75 cited
2021In situ Raman spectroscopy for cultural heritage studies72 cited
2012Applications of Raman spectroscopy in art and archaeology70 cited
2014In situ analysis with portable Raman and ED‐XRF spectrometers for the diagnosis of the formation of efflorescence on walls and wall paintings of the Insula IX 3 (Pompeii, Italy)

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66 cited

2016Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy)46 cited

2017On‐site Raman study of artwork: Procedure and illustrative examples44 cited

2016A multi-technique approach, based on mobile/portable laser instruments, for the in situ pigment characterization of stone sculptures on the island of Crete dating from Venetian and Ottoman period43 cited

2018Study of the soluble salts formation in a recently restored house of Pompeii by in-situ Raman spectroscopy43 cited

2018In situ non-invasive characterization of the composition of Pompeian pigments preserved in their original bowls37 cited

2017The first use of portable Raman instrumentation for the in situ study of prehistoric rock paintings in Patagonian sites35 cited

2024X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling34 cited

2016Portable and Raman imaging usefulness to detect decaying on mortars from Punta Begoña Galleries (Getxo, North of Spain)32 cited

2018In-situ multianalytical approach to analyze and compare the degradation pathways jeopardizing two murals exposed to different environments (Ariadne House, Pompeii, Italy)32 cited

2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited

2014Comparison of binder compositions in Pompeian wall painting styles from Insula Occidentalis29 cited

2014In‐situ and laboratory Raman analysis in the field of cultural heritage: the case of a mural painting28 cited