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Between Romanticism and Modernism and Postmodernism: George Crumb’sBlack Angels
14 references·0 citing·31 second hop
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References

  • 1992The Cultural Logic of Late Capitalism844 cited
  • 1993Adorno's Aesthetics of Music393 cited
  • 1980Between Romanticism and Modernism200 cited
  • 1993Sibelius: Symphony No. 5165 cited
  • 2001Rotational Form,Teleological Genesis, and Fantasy-Projection in the Slow Movement of Mahler's Sixth Symphony46 cited
  • 1974Nineteenth-Century Romanticism in Music43 cited
  • 2009Between Modernism and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann29 cited
  • 2007Neo-Mythologism in Music: From Scriabin And Schoenberg to Schnittke And Crumb28 cited
  • 1994Models of Octatonic and Whole-Tone Interaction: George Crumb and His Predecessors17 cited
  • 1991Sets, Scales, and Symmetries: The Pitch-Structural Basis of George Crumb's "Makrokosmos" I and II16 cited
  • 2008T he P rocess of M odulation in M usical C ollage14 cited
  • 1981Pitch/Register in the Music of Edgard Varèse8 cited
  • 1985The Role of the Piano Introduction in Schubert's 'Lieder'6 cited
  • 2005George Crumb's Channels of Mythification5 cited

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