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The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research
12 references·0 citing·44 second hop
The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research (2015)The Aesthetics of Slovene Popular Music f…Towards an aesthetic of popular music (2017)Towards an aesthetic of popul…When alternative ends up as mainstream: Slovene popular music as cultural heritage (2013)When alternative ends up as m…A Comparison of “Popular Music Pedagogy” Discourses (2013)A Comparison of “Popular Musi…Towards a cultural sociology of popular music (2008)Towards a cultural sociology …Audiences and everyday aesthetics (2007)Audiences and everyday aesthe…New Audiences, New Textualities (2003)New Audiences, New Textualiti…After Adorno (2003)After AdornoAfter Adorno : rethinking music sociology (2003)After Adorno : rethinking mus…Music Lovers (2001)Music LoversMusic in Everyday Life (2000)Music in Everyday LifeThe Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics (1987)The Formal Method in Literary…The Problem of the Text in Linguistics, Philology, and the Human Sciences: An Experiment in Philosophical Analysis (1986)The Problem of the Text in Li…The Structure of Scientific Revolutions (1963)The pasteurization of France (1988)What Is Sociological about Music? (2010)Music, Sound and Space (2013)Playing to the Crowd (2019)The Act of Reading: A Theory of Aesthetic Response (1979)Performing rites: on the value of popular music (1997)On Qualculation, Agency, and Otherness (2005)Actor Network Theory and Material Semiotics (2008)What Is a Good Tomato? A Case of Valuing in Practice (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)Content Analysis: An Introduction to its Methodology. (1984)Discipline and Punish: The Birth of the Prison. (1996)Toward hip-hop pedagogies for music education (2014)“Something’s Happening Here!”: Popular Music Education in the United States (2015)Mapping visions of improvisation pedagogy in music education research (2019)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Speech Genres and Other Late Essays (1986)Disjuncture and Difference in the Global Cultural Economy (1990)Girls make sense (2009)Introduction to the special issue: Reading the Fifty Shades ‘phenomenon’ (2013)The Interpretation of Cultures (2017)The Other Divide (2022)Subculture: The Meaning of Style (1995)Effects of Structured Extracurricular Facilities on Students' Academic and Social Development (2012)In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies (2012)The theory of communicative action (2014)Putting the ‘studies’ back into metal music studies (2018)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Structure of Scientific Revolutions (1963)The De-scription of Technical Objects (1992)Towards a critical understanding of music, emotion and self‐identity (2008)Arts-based methods in leadership development: Affording aesthetic workspaces, reflexivity and memories with momentum (2012)The Talk and Back Talk of Collective Action: A Dialogic Analysis of Repertoires of Discourse among Nineteenth‐Century English Cotton Spinners (1999)The Anthropology of Texts, Persons and Publics (2007)Memes as genre: A structurational analysis of the memescape (2014)Gender, Heteroglossia and Power (2001)‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies (2015)Bridging the gap between language for general purposes and language for work: an intensive Superior-level language/skill course for teachers, translators, and interpreters (2002)Beyond Plagiarism: Transgressive and Nontransgressive Intertextuality (2004)How Nations Remember (2021)
this work references cited by second hop

References

  • 2000Music in Everyday Life2,710 cited
  • 2003New Audiences, New Textualities349 cited
  • 1987The Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics334 cited
  • 2001Music Lovers315 cited
  • 2003After Adorno253 cited
  • 2003After Adorno : rethinking music sociology246 cited
  • 1986The Problem of the Text in Linguistics, Philology, and the Human Sciences: An Experiment in Philosophical Analysis145 cited
  • 2017Towards an aesthetic of popular music110 cited
  • 2013A Comparison of “Popular Music Pedagogy” Discourses81 cited
  • 2008Towards a cultural sociology of popular music77 cited
  • 2007Audiences and everyday aesthetics40 cited
  • 2013When alternative ends up as mainstream: Slovene popular music as cultural heritage9 cited

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