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Form and Ideology in Crime Fiction
0 references·16 citing·54 second hop
Form and Ideology in Crime Fiction (1980)Form and Ideology in Crime FictionThe Dangers of Distant Reading: Reassessing Moretti's Approach to Literary Genres (2014)The Dangers of Distant Readin…Crime Fiction, South Africa: A Critical Introduction (2013)Crime Fiction, South Africa: …SHERLOCK HOLMES, CRIME, AND THE ANXIETIES OF GLOBALIZATION (2011)SHERLOCK HOLMES, CRIME, AND T…New Narratives: Stories and Storytelling in the Digital Age (2011)New Narratives: Stories and S…Clues in the Street: Sherlock Holmes, Martin Hewitt, and Mean Streets (2009)Clues in the Street: Sherlock…Media made criminality: The representation of crime in the mass media (2007)Media made criminality: The r…The Cambridge History of Twentieth-Century English Literature (2005)The Cambridge History of Twen…The street was mine: white masculinity in hardboiled fiction and film noir (2003)The street was mine: white ma…Moving Pictures (1999)Moving PicturesThe Cambridge History of American Theatre (1998)The Cambridge History of Amer…Crime and the City Solution: Crime Fiction, Urban Knowledge, and Radical Geography (1998)Crime and the City Solution: …American theatre in context, from the beginnings to 1870 (1998)American theatre in context, …Anatomy of Murder: Mystery, Detective, and Crime Fiction (1997)Anatomy of Murder: Mystery, D…IMAGINING SAFE URBAN SPACE: THE CONTRIBUTION OF DETECTIVE FICTION TO RADICAL GEOGRAPHY (1995)IMAGINING SAFE URBAN SPACE: T…The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction (1987)The Detective as Reader: Narr…“ANY DISTINGUISHING FEATURES?”–THE PORTRAYAL OF DISABILITY IN THE CRIME‐MYSTERY GENRE* (1987)“ANY DISTINGUISHING FEATURES?…Imperial Eyes (1900)Sister Outsider: Essays and Speeches (1984)Life on the Screen: Identity in the Age of the Internet (1997)An imaginary England: Nation, landscape and literature (2007)Reading the Ruins: Modernism, Bombsites and British Culture (2011)The Modern Synthesis: Genetics and Dystopia in the Huxley Circle (2016)The Constitution of Society. (1988)The Culture of Control (2001)Introducing Fear of Crime to Risk Research (2006)News Media, Victims and Crime (2007)Social Change and Crime Rate Trends: A Routine Activity Approach (1979) (2010)Media Consumption, Perceptions of Crime Risk and Fear of Crime: Examining Race/Ethnic Differences (2012)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)5. The Practice of Everyday Life (2000)L’espace littéraire en l’absence de description (2009)Literature (2009)From the Locked Room to the Globe: Space in Crime Fiction (2012)The Sense of an Ending: Studies in the Theory of Fiction (1967)Adventure, Mystery, and Romance (1976)Reading for the plot : design and intention in narrative (1984)The Routledge Handbook of Literary Translation (2018)Disability, Literature, Genre (2019)The poetics of prose (1977)Story and Discourse: Narrative Structure in Fiction and Film (1979)Narrative Discourse: An Essay in Method (1980)Management she wrote: organization studies and detective stories (1999)Closure in Detective Fiction (2010)The uses of narratology in social and policy studies (2010)The Invisible Flâneuse. Women and the Literature of Modernity (1985)Postmodern Geographies: The Reassertion of Space in Critical Social Theory (1990)Mapping the futures. Local cultures, global change (1993)Cities in Shade: Urban Geography and the Uses of Noir (2005)Chasing sleuths and unravelling the metropolis (2016)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Speech Acts (1969)Women, Fire, and Dangerous Things (1987)Empathy, Film, and the Brain (2014)Epistemology of the Closet (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Racial Formation in the United States: From the 1960s to the 1990s (1994)“Nobody Loves a Fat Man” (2013)Framing the neo-noir in contemporary Tamil Cinema: Masculinity and modernity in Tamil Nadu (2017)Speech Acts: An Essay in the Philosophy of Language (1969)Naming and Necessity (1972)"I know what it was. You know what it was": Second-Person Narration in Hypertext Fiction (2011)The thing about pain: The remaking of illness narratives in chronic pain expressions on social media (2014)Narratives Online: Shared Stories in Social Media (2018)Marxism and Literature (1977)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)Cities of the dead: circum-Atlantic performance (1996)The Cambridge History of American Theatre (1999)Lethal Theatre: Performance, Punishment, and the Death Penalty (2002)Slaves in Algiers: Race, Republican Genealogies, and the Global Stage (2004)
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Cited by

  • 2007Media made criminality: The representation of crime in the mass media239 cited
  • 1998The Cambridge History of American Theatre117 cited
  • 1987The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction99 cited
  • 2005The Cambridge History of Twentieth-Century English Literature97 cited
  • 1999Moving Pictures92 cited
  • 1997Anatomy of Murder: Mystery, Detective, and Crime Fiction75 cited
  • 2011New Narratives: Stories and Storytelling in the Digital Age68 cited
  • 1995IMAGINING SAFE URBAN SPACE: THE CONTRIBUTION OF DETECTIVE FICTION TO RADICAL GEOGRAPHY54 cited
  • 2003The street was mine: white masculinity in hardboiled fiction and film noir47 cited
  • 1998Crime and the City Solution: Crime Fiction, Urban Knowledge, and Radical Geography43 cited
  • 1987“ANY DISTINGUISHING FEATURES?”–THE PORTRAYAL OF DISABILITY IN THE CRIME‐MYSTERY GENRE*42 cited
  • 2013Crime Fiction, South Africa: A Critical Introduction40 cited
  • 1998American theatre in context, from the beginnings to 187038 cited
  • 2014The Dangers of Distant Reading: Reassessing Moretti's Approach to Literary Genres36 cited

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2009
Clues in the Street: Sherlock Holmes, Martin Hewitt, and Mean Streets
31 cited
  • 2011SHERLOCK HOLMES, CRIME, AND THE ANXIETIES OF GLOBALIZATION31 cited