The street was mine: white masculinity in hardboiled fiction and film noir

Abstract

Introduction 'I Can Feel Her': The White Male as Hysteric in James M. Cain and Raymond Chandler 'Another Soft-Voiced Big Man I Had Strangely Liked': Containing White Male Desire The Woman in White: Race-ing and Erace-ing in Cain and Chandler 'Nothing You Can't Fix': Hardboiled Fiction's Hollywood Makeover 'The Strict Domain of Whitey': Chester Himes's Coup Epilogue Appendix Bibliography

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