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The street was mine: white masculinity in hardboiled fiction and film noir
16 references·2 citing·30 second hop
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this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1994Racial Formation in the United States: From the 1960s to the 1990s6,198 cited
  • 1990Epistemology of the Closet3,698 cited
  • 1993Playing in the Dark: Whiteness and the Literary Imagination.3,067 cited
  • 1998The possessive investment in whiteness: how white people profit from identity politics2,402 cited
  • 2017The Wages of Whiteness2,119 cited
  • 1992Looking awry: an introduction to Jacques Lacan through popular culture1,576 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1984Culture as history : the transformation of American society in the twentieth century723 cited
  • 2000Stiffed: the betrayal of the American man588 cited
  • 1987Mechanic Accents: Dime Novels and Working Class Culture in America545 cited
  • 1990The Novel and the Police524 cited
  • 1994Towards the abolition of whiteness : essays on race, politics, and working class history429 cited
  • 1980Form and Ideology in Crime Fiction377 cited
  • 2017

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Freedom from Fear: The American People in Depression and War, 1929-1945
370 cited

Cited by

  • 2013“Nobody Loves a Fat Man”20 cited
  • 2017Framing the neo-noir in contemporary Tamil Cinema: Masculinity and modernity in Tamil Nadu16 cited