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Stream Segregation and Perceived Syncopation
6 references·0 citing·19 second hop
Stream Segregation and Perceived Syncopation (2011)Stream Segregation and Perceived Syncopat…Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Tone and Voice: A Derivation …Bach's Works for Solo Violin (1999)Bach's Works for Solo ViolinThe time of music: new meanings, new temporalities, new listening strategies (1989)The time of music: new meanin…Ernst Kurth as Theorist and Analyst (1988)Ernst Kurth as Theorist and A…Introduction to Schenkerian Analysis (1984)Introduction to Schenkerian A…Musical Form and Musical Performance (1969)Musical Form and Musical Perf…The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The New Grove dictionary of music and musicians (2001)The Geometry of Musical Chords (2006)Embodying Music (2011)A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)Chromatic Transformations in Nineteenth-Century Music (2002)Choreographic Cognition (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Musical Performance as Interpretation (1995)Fantasy Pieces (1999)From Policy “Frames” to “Framing” (2014)Syntagmatics and Paradigmatics: Some Implications for the Analysis of Chromaticism in Tonal Music (1991)Energetics (2002)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Beat-Class Modulation in Steve Reich's Music (2003)Journal of Religion & Society (2011)Disquieting Conversations: Bach, Modernity, and God (2013)What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (2015)Second-Reprise Opening Schemas in Bach’s Binary Movements (2021)
this work references cited by second hop

References

  • 1989The time of music: new meanings, new temporalities, new listening strategies412 cited
  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 1969Musical Form and Musical Performance314 cited
  • 1984Introduction to Schenkerian Analysis127 cited
  • 1988Ernst Kurth as Theorist and Analyst55 cited
  • 1999Bach's Works for Solo Violin38 cited

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