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Counterpoint and polyphony in recent instrumental works of John Adams
16 references·0 citing·31 second hop
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References

  • 1973The Structure of Atonal Music501 cited
  • 2000Fantasy pieces: metrical dissonance in the music of Robert Schumann255 cited
  • 1957The Technique of My Musical Language161 cited
  • 1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music146 cited
  • 2001Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass113 cited
  • 1981Segmentation and Process in Post-Tonal Music105 cited
  • 2003Beat-Class Modulation in Steve Reich's Music91 cited
  • 1990Composition with Pitch Classes: A Theory of Compositional Design91 cited
  • 1987Some Extensions of the Concepts of Metrical Consonance and Dissonance83 cited
  • 2002Stravinsky and the Octatonic: A Reconsideration78 cited
  • 1984The Study of Orchestration72 cited
  • 1993The Minimalist Aesthetic in the Plastic Arts and in Music55 cited
  • 1947Thesaurus of Scales and Melodic Patterns55 cited
  • 1987A Practical Approach to Sixteenth-Century Counterpoint51 cited
  • 2003A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition48 cited
  • 1998

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Pitch-Class Set Multiplication in Theory and Practice
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