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Does Music Theory Need Musicology?
6 references·3 citing·36 second hop
Does Music Theory Need Musicology? (1992)Does Music Theory Need Musicology?Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Unsung Voices: Opera and Musi…The music of Stravinsky (1988)The music of StravinskyA Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major, K. 453", Movement 2 (1986)A Musical Dialectic from the …Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…The Structure of Atonal Music (1973)The Structure of Atonal MusicProblems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…A Sign of the Times: Semiotics in Anglo-American Musicology (2012)A Sign of the Times: Semiotic…Disciplining Deconstruction (For Music Analysis) (1998)Disciplining Deconstruction (…A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself" (1995)A Myth of the Twentieth Centu…Writing and Difference (1980)Postmodernism, or, The cultural logic of late capitalism (1991)Music Theory and Historical Awareness (2000)Of Ways of Telling, Intertextuality, and Historical Evidence in Berlioz's "Roméo et Juliette" (2000)Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (2010)Beyond Homage and Critique? Schubert’s Sonata in C minor, D. 958, and Beethoven’s Thirty-Two Variations in C minor, WoO 80 (2013)The Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)Basic atonal theory (1980)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Virtuosity and the Musical Work (2003)The New Grove dictionary of opera (1993)Queering the pitch: the new gay and lesbian musicology (1995)Modernism and the Specter of Psychologism (1996)Review: Speed Bumps (2005)‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabin (2010)The Archaeology of Knowledge. (1974)Image-Music-Text (1977)You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. (2013)Dragging Music: Towards a Queer Socio-Cultural Semiotics (2024)The Aesthetics of Music (1981)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Anthropology and Voice (2014)Jamming at Le Boeuf: Jazz and the Paris Avant-Garde (1990)Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto (1999)The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare” (2008)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)Stravinsky and the Octatonic: A Reconsideration (2002)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)Passing—and Failing—in Late-Nineteenth-Century Russia; or Why We Should Care about the Cuts in Tchaikovsky's Violin Concerto (2003)MultiMedia: Texts and Contexts (2005)Concerto of the individual (2009)
this work references cited by second hop

References

  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1973The Structure of Atonal Music501 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1986A Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major, K. 453", Movement 238 cited
  • 1988The music of Stravinsky33 cited

Cited by

  • 1995A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself"37 cited
  • 1998Disciplining Deconstruction (For Music Analysis)15 cited
  • 2012A Sign of the Times: Semiotics in Anglo-American Musicology8 cited

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