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Inventing the business of opera: the impresario and his world in seventeenth-century Venice
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Cited by

  • 2020Copyrights and Creativity: Evidence from Italian Opera in the Napoleonic Age94 cited
  • 2018Inventing the Opera House: Theater Architecture in Renaissance and Baroque Italy38 cited
  • 2018Female Singers on the French Stage, 1830–184831 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2021Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence18 cited
  • 2017The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France18 cited
  • 2019Screen Genealogies11 cited
  • 2018Las instrucciones y las cosas9 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2012Opera, the state and society4 cited
  • 2016Sebastiano Ricci impresario d’opera a Venezia nel primo Settecento4 cited
  • 2015Opera between the Ancients and the Moderns4 cited
  • 2015What Is Opera?3 cited
  • 2017Funding “Opera for the 80s and Beyond”: The Role of Impresarios in Creating a New American Repertoire3 cited

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