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“The Remembrance Haunts Me Like a Crime”: Narrative Control, the Dramatic, and the Female Gothic in Mary Wollstonecraft Shelley’s Mathilda
15 references·0 citing·23 second hop
“The Remembrance Haunts Me Like a Crime”: Narrative Control, the Dramatic, and the Female Gothic in Mary Wollstonecraft Shelley’s Mathilda (2008)“The Remembrance Haunts Me Like a Crime”:…The Rise of the Gothic Novel (2013)The Rise of the Gothic NovelA glossary of literary terms (2008)A glossary of literary termsThe Cambridge Companion to Mary Shelley (2003)The Cambridge Companion to Ma…Mary Shelley in Her Times (2002)Mary Shelley in Her TimesWomen's Gothic from Clara Reeve to Mary Shelley (2000)Women's Gothic from Clara Ree…Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës (1998)Gothic Feminism: The Professi…Art of darkness: a poetics of Gothic (1995)Art of darkness: a poetics of…Perils of the night: a feminist study of nineteenth-century Gothic (1991)Perils of the night: a femini…Curtain calls: British and American women and the theater, 1660-1820 (1991)Curtain calls: British and Am…The contested castle: Gothic novels and the subversion of domestic ideology (1990)The contested castle: Gothic …"Did You Get Mathilda from Papa?": Seduction Fantasy and the Circulation of Mary Shelley's "Mathilda" (1989)"Did You Get Mathilda from Pa…The Female Gothic (1983)The Female GothicThe Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. (1980)The Madwoman in the Attic: Th…Literary Women: The Great Writers (1978)Literary Women: The Great Wri…Mary Shelley, Author of "Frankenstein." (1954)Mary Shelley, Author of "Fran…Strategic uses of narrative in the presentation of self and illness: A research note (1990)Historical and Personal Nostalgia in Advertising Text: TheFin de siècleEffect (1992)Postmodernism and the Social Sciences (1992)The World's Body (2004)Novel relations: the transformation of kinship in English literature and culture, 1748-1818 (2005)The Cambridge History of English Literature, 1660–1780 (2005)Catholicism, Sexual Deviance, and Victorian Gothic Culture (2006)"Dark and dangerous designs": Tales of Oppression, Dispossession, and Repossession, 1770-1800 (2003)Fatal women of Romanticism (2003)Gothic Genealogies, the Family Romance, and Clara Reeve's The Old English Baron (2005)Rape and the Female Subject in Aphra Behn's The Rover (1998)The Cambridge History of British Theatre (2004)A Literary History of Women's Writing in Britain, 1660–1789 (2006)Toward a black feminist criticism (1979)Toward a Black Feminist Criticism (1994)Victorian Women Writers and the Classics (2006)Three Women's Texts and a Critique of Imperialism (1985)The Post-Colonial Studies Reader (1996)Kinship, Law and the Unexpected (2005)The American in Charity: "Benito Cereno" and Gothic Anti-Sentimentality (2002)Female Gothic and the Institutionalization of Gothic Studies (2004)A New Perspective on the Minerva Press's “Derivative” Novels: Authorizing Borrowed Material (2015)Emotions and Cultural Theory (2014)
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References

  • 1980The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination.2,614 cited
  • 2008A glossary of literary terms2,013 cited
  • 1990The contested castle: Gothic novels and the subversion of domestic ideology348 cited
  • 1978Literary Women: The Great Writers337 cited
  • 1991Perils of the night: a feminist study of nineteenth-century Gothic174 cited
  • 2000Women's Gothic from Clara Reeve to Mary Shelley150 cited
  • 2013The Rise of the Gothic Novel150 cited
  • 1995Art of darkness: a poetics of Gothic138 cited
  • 1991Curtain calls: British and American women and the theater, 1660-1820135 cited
  • 1998Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës95 cited
  • 1983The Female Gothic73 cited
  • 2003The Cambridge Companion to Mary Shelley57 cited
  • 2002Mary Shelley in Her Times25 cited
  • 1954Mary Shelley, Author of "Frankenstein."15 cited
  • 1989"Did You Get Mathilda from Papa?": Seduction Fantasy and the Circulation of Mary Shelley's "Mathilda"13 cited

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