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Cited by

• 2013Sonata Form and the Problem of Second‐Theme Beginnings38 cited
• 2018Broken Beauty38 cited
• 2020Toward a Predictive Theory of Theme Types37 cited
• 2023Tonality35 cited
• 2017Musical Syntax in John Williams’s Film Music Themes23 cited
• 2016In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation18 cited
• 2022In Search of Carl Czerny’s Schemata: Listening to Early Nineteenth-Century Improvisation17 cited
• 2018Representing Disability15 cited
• 2014Sentences with Words: Text and Theme-Type in Die schone Mullerin13 cited
• 2009The Quiet Revolution of a B Natural: Prokofiev's ‘New Simplicity’ in the Second Violin Concerto10 cited
• 2021Schubert’s Large-Scale Sentences3 cited