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The Beautiful and the Damned: The Creation of Identity in Nineteenth Century Photography.
0 references·16 citing·49 second hop
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  • 2014Introduction to special issue on Visual Culture and the Iconography of Crime and Punishment73 cited
  • 2007W. G. Sebald - Image, Archive, Modernity63 cited
  • 2010Introduction: Anthropology, Photography and the Archive61 cited
  • 2013Naked Truths: Bodies, Knowledge, and the Erotics of Colonial Power45 cited
  • 2003Charles Darwin as a Celebrity38 cited
  • 2008Imaginary Encounters: Walter Benjamin and the Aura of Photography35 cited
  • 2002Visions of discipline28 cited
  • 2017The indignados social movement and the image of the occupied square: the making of a global icon27 cited
  • 2014The Fielding H. Garrison Lecture: The Aesthetic Grounding of Modern Medicine22 cited
  • 2010Dated Photographs: The Personal Photo Album as Visual and Textual Medium17 cited
  • 2007Depicting skin : visual culture in nineteenth-century medicine17 cited
  • 2004Dead Woman Glowing: Karla Faye Tucker and the Aesthetics of Death Row Photography14 cited
  • 2006Visualizing “The Sound of Genius”: Glenn Gould and The Culture of Celebrity in the 1950s9 cited
  • 2009Ästhetik der Objektivität8 cited
  • 2017

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The Archaeology of an Image: The Persistent Persuasion of Thomas Moore Keesick’s Residential School Photographs
6 cited
  • 2018The photographic portrait: a means to surveillance and subversion4 cited