SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Uncanny Body of Early Sound Film
15 references·1 citing·30 second hop
The Uncanny Body of Early Sound Film (2003)The Uncanny Body of Early Sound FilmEarly Cinema in Russia and its Cultural Reception (2013)Early Cinema in Russia and it…Dumbstruck: A Cultural History of Ventriloquism (2002)Dumbstruck: A Cultural Histor…Haunted media: electronic presence from telegraphy to television (2001)Haunted media: electronic pre…Sound Technology and the American Cinema: Perception, Representation, Modernity (2000)Sound Technology and the Amer…Reinventing film studies (2000)Reinventing film studiesSound theory/sound practice (1993)Sound theory/sound practiceFilm sound: Theory and practice (1985)Film sound: Theory and practi…Movies and Methods (1978)Movies and MethodsThe Fantastic: A Structural Approach to a Literary Genre (1976)The Fantastic: A Structural A…Spellbound in Darkness, a History of the Silent Film (1975)Spellbound in Darkness, a His…Kino: A History of the Russian and Soviet Film (1961)Kino: A History of the Russia…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Standard Edition of the C…Composing for the Films (1947)Composing for the FilmsA history of the movies (1931)A history of the moviesThe Reaction of the Public to Motion Pictures with Sound (1928)The Reaction of the Public to…»Ich Tarzan.« (2008)»Ich Tarzan.«Learned helplessness in humans: Critique and reformulation. (1978)Self-discrepancy: A theory relating self and affect. (1987)Illusion and well-being: A social psychological perspective on mental health. (1988)Religion and/as Media (2005)International Handbook of Internet Research (2010)Research in Consumer Behavior (2012)Music in factories: a twentieth-century technique for control of the productive self (2005)Corporeality, Musical Heartbeats, and Cinematic Emotion (2008)Musical Witness and Holocaust Representation (2015)Lumiere's Arrival of the Train: Cinema's Founding Myth (2004)What's the Point of an Index? or, Faking Photographs (2008)The cinematic footprint: lights, camera, natural resources (2012)Genre And The Invention Of The Writer: Reconsidering the Place of Invention in Composition (2003)The mind and its stories: narrative universals and human emotion (2004)Reading for Learning (2014)Cross-Modal Dynamic Capture: Congruency Effects in the Perception of Motion Across Sensory Modalities. (2004)The Routledge Companion to Creativity (2008)Cassandra and the Poetics of Prophecy in Greek and Latin Literature (2019)Postcolonial Whiteness: A Critical Reader on Race and Empire (2005)How Does the Variance of Product Ratings Matter? (2010)White Women, Race Matters (2010)Perceptual judgement of the relationship between musical and visual components in film. (1994)Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment (1997)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Black and White: Mercedes de Acosta's Glorious Enthusiasms (2001)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)
this work references cited by second hop

References

  • 1953The Standard Edition of the Complete Psychological Works of Sigmund Freud17,730 cited
  • 1976The Fantastic: A Structural Approach to a Literary Genre1,572 cited
  • 2000Reinventing film studies635 cited
  • 1993Sound theory/sound practice570 cited
  • 2001Haunted media: electronic presence from telegraphy to television497 cited
  • 1985Film sound: Theory and practice381 cited
  • 2002Dumbstruck: A Cultural History of Ventriloquism327 cited
  • 1961Kino: A History of the Russian and Soviet Film265 cited
  • 1947Composing for the Films176 cited
  • 1978Movies and Methods159 cited
  • 2000Sound Technology and the American Cinema: Perception, Representation, Modernity152 cited
  • 2013Early Cinema in Russia and its Cultural Reception78 cited
  • 1931A history of the movies46 cited
  • 1928The Reaction of the Public to Motion Pictures with Sound30 cited
  • 1975Spellbound in Darkness, a History of the Silent Film21 cited

Cited by

  • 2008»Ich Tarzan.«5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work