Sound Technology and the American Cinema: Perception, Representation, Modernity

James F. Lastra

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Cinema History and Criticism Visual Culture and Art Theory Sound Studies and Aurality

Abstract

1. Inscriptions and Simulations: The Imagination of Technology2. Performance, Inscription, Diegesis: The Technological Transformation of Representational Causality3. Everything But the Kitchen Sync: Sound and Image Before the Talkies4. Sound Theory5. Standards and Practices: Aesthetic Norm and Technological Innovation in the American Cinema6. Sound Space and Classical Narrative

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2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices 2006Sound matters: Notes toward the analysis and design of sound in multimodal webtexts 201160th Yearbook of the Literacy Research Association 2013Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction 2008Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording 2003The Sound of Evolution 2014Records ruin the landscape: John Cage, the sixties, and sound recording 2019Frame by Frame

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