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Cited by

• 2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices224 cited
• 2006Sound matters: Notes toward the analysis and design of sound in multimodal webtexts62 cited
• 201160th Yearbook of the Literacy Research Association61 cited
• 2013Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction52 cited
• 2008Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording45 cited
• 2003The Sound of Evolution42 cited
• 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
• 2019Frame by Frame34 cited
• 2017Paleophonic Futures: Charles Cros's Audiovisual Worlds34 cited
• 2014“The Realm of Serious Art”: Henry Hadley's Involvement in Early Sound Film28 cited
• 2013Digital ghosts in the history museum: the haunting of today's mediascape20 cited
• 2014The Inevitability of Teleology: From le Dispositif to Apparatus Theory to Dispositifs Plural14 cited
• 2016The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-196913 cited
• 2015The Social Imaginary of Telephony: Fictional Dispositives in Albert Robida’s Le Vingtième Siècle and the Archeology of “Talking Cinema”