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Records ruin the landscape: John Cage, the sixties, and sound recording
16 references·5 citing·27 second hop
Records ruin the landscape: John Cage, the sixties, and sound recording (2014)Records ruin the landscape: John Cage, th…Landscape and Power (2015)Landscape and PowerSilence : lectures and writings (2011)Silence : lectures and writin…Background Noise: Perspectives on Sound Art (2006)Background Noise: Perspective…The Audible Past (2003)The Audible PastImprovised Music after 1950: Afrological and Eurological Perspectives (2002)Improvised Music after 1950: …Repeated Takes: A Short History of Recording and its Effects on Music (1995)Repeated Takes: A Short Histo…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…The Taming of Chance (1990)The Taming of ChanceConceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions (1990)Conceptual Art 1962-1969: Fro…The Sixties: Years of Hope, Days of Rage (1989)The Sixties: Years of Hope, D…The Tuning of the World (1983)The Tuning of the WorldThe Poetics of Indeterminacy: Rimbaud to Cage (1982)The Poetics of Indeterminacy:…Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Languages of Art: An Approach to a Theory of Symbols. (1979)Languages of Art: An Approach…Must We Mean What We Say?: A Book of Essays (1976)Must We Mean What We Say?: A …Experimental Music: Cage and Beyond (1975)Experimental Music: Cage and …The Names of Minimalism (2022)The Names of MinimalismCapturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age (2019)Capturing the World with Perf…A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)A Scene Without A Name: Indie…Transcription, Recording, and Authority in ‘Classic’ Minimalism (2017)Transcription, Recording, and…An archival feminist pedagogy: unlearning and objects as affective knowledge companions (2016)An archival feminist pedagogy…Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)A Sweet Lullaby for World Music (2000)The Production of Culture Perspective (2004)Soundscapes: Toward a Sounded Anthropology (2010)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Relevance of Algorithms (2014)Digitalization (2016)The dialogical self: Beyond individualism and rationalism. (1992)Beyond Compare: Metaphor In Organization Theory (2005)Consciousness, accessibility, and the mesh between psychology and neuroscience (2007)Commensuration as a Social Process (1998)Culture in Interaction (2003)The Social Affordances of the Internet for Networked Individualism (2006)Rankings and Reactivity: How Public Measures Recreate Social Worlds (2007)The Politics of Life Itself (2007)Political power beyond the State: problematics of government (2010)Analysing popular music: theory, method and practice (1982)Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Senses of place: architectural design for the multisensory mind (2020)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Beyond Representation and Signification: Toward a Sonic Materialism (2011)
this work references cited by second hop

References

  • 1990The Taming of Chance3,602 cited
  • 2003The Audible Past1,821 cited
  • 1989The Sixties: Years of Hope, Days of Rage1,065 cited
  • 1979Languages of Art: An Approach to a Theory of Symbols.1,049 cited
  • 2011Silence : lectures and writings864 cited
  • 1983The Tuning of the World706 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1995Repeated Takes: A Short History of Recording and its Effects on Music433 cited
  • 2006Background Noise: Perspectives on Sound Art432 cited
  • 2015Landscape and Power403 cited
  • 1982The Poetics of Indeterminacy: Rimbaud to Cage394 cited
  • 1975Experimental Music: Cage and Beyond317 cited
  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 1990Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions302 cited
  • 1976Must We Mean What We Say?: A Book of Essays230 cited

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Cited by

  • 2016An archival feminist pedagogy: unlearning and objects as affective knowledge companions14 cited
  • 2017Transcription, Recording, and Authority in ‘Classic’ Minimalism11 cited
  • 2022The Names of Minimalism7 cited
  • 2019A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century7 cited
  • 2019Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age3 cited