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Good vibrations : a history of record production
0 references·16 citing·50 second hop
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  • 2005On the reproduction of the musical economy after the Internet145 cited
  • 2007The Musicology of Record Production55 cited
  • 2011Are We Not New Wave?40 cited
  • 2014Theoretical Approaches to Quotation in Hip-Hop Recordings37 cited
  • 2009The record producer as nexus : creative inspiration, technology and the recording industry27 cited
  • 2010The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production24 cited
  • 2004From ‘My Blue Heaven’ to ‘Race with the Devil’: echo, reverb and (dis)ordered space in early popular music recording23 cited
  • 2016Transnational freelancing: Ephemeral creative projects and mobility in the music recording industry22 cited
  • 2010The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music16 cited
  • 2015Never Mind the Bollocks: A Tech-Processual Analysis10 cited
  • 2008Sound, technology, and interpretation in subcultures of heavy music production8 cited
  • 2012Plumbing the Surface of Sound and Vision8 cited
  • 2018The The skillset of professional studio musicians in the German popular music recording industry5 cited
  • 2010Musikproduktion med föränderliga verktyg : en pedagogisk utmaning

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5 cited
  • 2024‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age4 cited
  • 2012Mixing the Immiscible: Improvisation within Fixed-Media Composition4 cited