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The Meaning of the European Painted Portrait, 1400–1650
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The Meaning of the European Painted Portrait, 1400–1650 (2013)The Meaning of the European Painted Portr…Renaissance Studies in Honor of Joseph Connors (2013)Renaissance Studies in Honor …The Renaissance portrait: from Donatello to Bellini (2012)The Renaissance portrait: fro…The Cambridge companion to Raphael (2005)The Cambridge companion to Ra…Myths of Renaissance Individualism (2004)Myths of Renaissance Individu…Art, Memory, and Family in Renaissance Florence (2001)Art, Memory, and Family in Re…The Poetics of Portraiture in the Italian Renaissance (2000)The Poetics of Portraiture in…The Image of the Individual : Portraits in the Renaissance (1998)The Image of the Individual :…Portraiture: facing the subject (1997)Portraiture: facing the subje…Titian's portraits through Aretino's lens (1996)Titian's portraits through Ar…Fictions of the Pose: Facing the Gaze of Early Modern Portraiture (1994)Fictions of the Pose: Facing …Only connect: art and the spectator in the Italian Renaissance (1993)Only connect: art and the spe…:Renaissance Portraits (1991):Renaissance Portraits"Ritratto al Naturale": Questions of Realism and Idealism in Early Renaissance Portraits (1987)"Ritratto al Naturale": Quest…Castiglione: The Ideal and the Real in Renaissance Culture (1983)Castiglione: The Ideal and th…The Matter of My Book (1977)The Matter of My BookThe Portrait in the Renaissance (1966)The Portrait in the Renaissan…Camera Lucida: Reflections on Photography (2001)Écrits: A Selection (2001)Pompadour's Touch: Difference in Representation (2001)The “Eternal Return”: Self‐Portrait Photography as a Technology of Embodiment (2002)The Aesthetics of Colonialism: George Chinnery’s Portrait of Gilbert Elliot, 1st Earl of Minto, 1812 (2016)The Four Fundamental Concepts of Psycho-Analysis (2018)A Sixteenth-Century Attempt at Music Criticism (1983)The Italian Encounter with Tudor England (2005)Portraits in painting and photography (2007)Accounting and visual cultural studies: potentialities, challenges and prospects (2010)The Rhetoric of Disfigurement in First World War Britain (2011)Skin deep: Barthes, Lavater and the legible body (1985)Gertrude Stein's Portraits of Matisse and Picasso (2003)As in Ovid, So in Renaissance Art (1998)Innovations in Information Technology: Insights from Italian Renaissance Art (2002)Angels and the Order of Heaven in Medieval and Renaissance Italy (2014)[In]visible [in]tangibles: Visual portraits of the business élite (2009)The Early Royal Society and Visual Culture (2019)Measuring in the Renaissance (2023)Composing Community in Late Medieval Music (2019)Guillaume Du Fay (2019)Piero di Lorenzo de' Medici and the Crisis of Renaissance Italy (2019)Open Elite? Social Mobility, Marriage, and Family in Florence, 1282–1494 (2010)Religion (2014)The Cambridge Companion to the Italian Renaissance (2014)The Cambridge Companion to Virgil (2019)Virgilian Narrative: Ecphrasis (2019)The 2006 Josephine Waters Bennett Lecture (2007)Historical Research on the Self and Emotions (2009)Vernacular Translators in Quattrocento Italy (2017)
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References

  • 1997Portraiture: facing the subject212 cited
  • 1983Castiglione: The Ideal and the Real in Renaissance Culture207 cited
  • 1993Only connect: art and the spectator in the Italian Renaissance98 cited
  • 2004Myths of Renaissance Individualism93 cited
  • 1966The Portrait in the Renaissance85 cited
  • 2001Art, Memory, and Family in Renaissance Florence72 cited
  • 2005The Cambridge companion to Raphael68 cited
  • 1998The Image of the Individual : Portraits in the Renaissance58 cited
  • 1994Fictions of the Pose: Facing the Gaze of Early Modern Portraiture55 cited
  • 2013Renaissance Studies in Honor of Joseph Connors49 cited
  • 1987"Ritratto al Naturale": Questions of Realism and Idealism in Early Renaissance Portraits37 cited
  • 1977The Matter of My Book37 cited
  • 1991:Renaissance Portraits35 cited
  • 2012The Renaissance portrait: from Donatello to Bellini32 cited
  • 2000The Poetics of Portraiture in the Italian Renaissance31 cited
  • 1996Titian's portraits through Aretino's lens25 cited

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