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Black Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland
16 references·2 citing·38 second hop
Black Pop Songwriting 1963–1966: An Analysis of U.S. Top Forty Hits by Cooke, Mayfield, Stevenson, Robinson, and Holland-Dozier-Holland (2017)Black Pop Songwriting 1963–1966: An Analy…Rock: The Primary Text (2018)Rock: The Primary TextQuestions of Genre in Black Popular Music (2017)Questions of Genre in Black P…The holy profane: religion in black popular music (2003)The holy profane: religion in…Patterns of harmony (1992)Patterns of harmonyOpen letter (1989)Open letterOff the Record: An Oral History of Popular Music (1989)Off the Record: An Oral Histo…Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom (1987)Sweet Soul Music: Rhythm and …The Gospel Sound. Good News and Bad Times (1986)The Gospel Sound. Good News a…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…The production of success: an anti-musicology of the pop song (1983)The production of success: an…The Billboard Book of Top 40 Hits (1983)The Billboard Book of Top 40 …‘Play it again Sam’: Some notes on the productivity of repetition in popular music (1983)‘Play it again Sam’: Some not…Girl Groups: The Story of a Sound (1982)Girl Groups: The Story of a S…Sound recording popularity charts: A useful tool for music research (1975)Sound recording popularity ch…Afro-American Gospel Music: A Crystallization of the Black Aesthetic (1975)Afro-American Gospel Music: A…The Significance of the Relationship between Afro-American Music and West African Music (1974)The Significance of the Relat…Keeper of the Seven Keys: Audio heritage in metal music production (2022)Keeper of the Seven Keys: Aud…The The skillset of professional studio musicians in the German popular music recording industry (2018)The The skillset of professio…On Popular Music (1941)Systeme De La Mode (1967)Cycles in Symbol Production: The Case of Popular Music (1975)The cultural economy: geography and the creative field (1999)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Pragmatics of Taste (2007)Studying Popular Music (1990)Studying Popular Music (1991)The Structure, Function, and Genesis of the Prechorus (2011)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Chord Context and Harmonic Function in Tonal Music (2018)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)Understanding Performance Expression in Popular Music Recordings (2014)Beyond the Pleasure Principle (2015)Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83) (2015)The Four Fundamental Concepts of Psycho-Analysis (2018)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)‘have a little talk’: listening to the b-side of history (2005)Motown crossover hits 1963–1966 and the creative process (1995)When the Brill building met Lennon‐McCartney: Continuity and change in the early evolution of the mainstream pop song (1995)“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll (1996)Structural relationships of music and images in music video (1994)The future of rock: discourses that struggle to define a genre (1995)The Musicology of Record Production (2007)James Brown's ‘Superbad’ and the double-voiced utterance (1992)"I Want to See All My Friends At Once": Arthur Russell and the Queering of Gay Disco (2006)Dougie Young and political resistance in early Aboriginal country music (2019)The biology and evolution of music: A comparative perspective (2006)The singing Neanderthals: The origins of music, language, mind, and body (2006)Universals in the world’s musics (2011)At the Crossroads: Rap Music and Its African Nexus (1996)Aspects of the Music/Text Relationship in Rap (2008)The Cambridge Companion to Hip-Hop (2015)Belonging and detachment (2002)Congolese Rumba and Other Cosmopolitanisms (2002)Puttingmanoto music: The mediation of race in Brazilian rap (2004)
this work references cited by second hop

References

  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts515 cited
  • 1974The Significance of the Relationship between Afro-American Music and West African Music197 cited
  • 1983The production of success: an anti-musicology of the pop song120 cited
  • 1987Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom96 cited
  • 2018Rock: The Primary Text91 cited
  • 1989Off the Record: An Oral History of Popular Music85 cited
  • 1986The Gospel Sound. Good News and Bad Times83 cited
  • 1992Patterns of harmony81 cited
  • 1989Open letter79 cited
  • 1983‘Play it again Sam’: Some notes on the productivity of repetition in popular music71 cited
  • 1975Afro-American Gospel Music: A Crystallization of the Black Aesthetic67 cited
  • 2003The holy profane: religion in black popular music63 cited
  • 1983The Billboard Book of Top 40 Hits59 cited
  • 1982Girl Groups: The Story of a Sound47 cited
  • 2017Questions of Genre in Black Popular Music41 cited
  • 1975Sound recording popularity charts: A useful tool for music research29 cited

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Cited by

  • 2018The The skillset of professional studio musicians in the German popular music recording industry5 cited
  • 2022Keeper of the Seven Keys: Audio heritage in metal music production2 cited