Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce”

Abstract

This article offers a contrapuntal explanation of the “melodic-harmonic divorce,” a feature of pop and rock music discussed most recently by David Temperley (2007) . I outline three types of melodic-harmonic divorce: “hierarchy divorce,” “loop divorce,” and “syntax divorce.” Each type gives rise to its own voice-leading interpretation. After discussing the contrapuntal frameworks of these three types, I investigate the rhetorical effect of “loosening” and “tightening” the melodic-harmonic relationship over the course of a rock song, showing that the divorce is not just a structural feature but can have expressive effects as well.

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