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The International Recording Industries
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  • 2015‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties156 cited
  • 2018Approaching media industries comparatively: A case study of streaming69 cited
  • 2021The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry44 cited
  • 2016The Globalization of Popular Music, 1960-2010: A Multilevel Analysis of Music Flows41 cited
  • 2021Taking care of business: The routines and rationales of early-career musicians in the Dutch and British music industries32 cited
  • 2018Concentration, diversity, and consequences: Privileging independent over major record labels23 cited
  • 2018“Everybody Wants to Work with Me”: Collaborative Labor in Hip Hop14 cited
  • 2021“One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland14 cited
  • 2018Towards ‘Embedded Non-creative Work’? Administration, digitisation and the recorded music industry13 cited
  • 2023Compelled TikTok creators? The ambivalent affordances of the short video app for Filipino musicians11 cited
  • 2023Rock Guitar Virtuosos7 cited
  • 2015Running a record label when records don't sell anymore: empirical evidence from Poland7 cited
  • 2022Musical Aspirations and DIY/DIO Practices in Online Communities of Amateur Independent Filipino Songwriters

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4 cited
  • 2014Diversity and Synergy in the Recording Industry in Portugal, 1988-20084 cited
  • 2024Civil Sphere Values and Moral Responsibility in Cultural Production: The Curation of Music Festivals Today3 cited
  • 2023UK Music before and after Covid-193 cited